Scott Stark

DirectorActor

Scott Stark has produced more than 75 films and videos since 1980. Additionally, he has created a number of gallery and non-gallery installations using film and video, and elaborate photographic collages using large grids of images. Born and educated in the midwest, he has always been interested in aggressively pushing his work beyond the threshold of traditional viewing expectations, challenging the audience to question its relationship to the cinematic process; yet he also tries to build into the work elements of humor and incongruity that allow the viewer an entryway into the work while maintaining a critical distance. Both a passionate purist and a cynical skeptic, he likes to emphasize the physicality of film while cross-referencing it to the world outside the theater, attempting to lay bare the paradoxes of modern culture and the magical nature of the perceptual experience.

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Total Films

Also known as (male)

Milwaukee, WI

Place of Birth

Birthday

Zodiac Sign

Genres

Total Films

Also Known As (male)

Milwaukee, WI

Place of Birth

Popular works

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Creative career

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46 Works

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4 Works

More Than Meets the Eye: Remaking Jane Fonda

More Than Meets The Eye: Remaking Jane Fonda is a remake of one of Jane Fonda's exercise videos, with Scott Stark as the performer, set in a variety of locations, both public and private. The filmmaker underscores a sense of the supposed embarrassment a male might feel by inhabiting what is essentially a feminine landscape. By overlaying the diligent exercise imagery with provocative and pointed quotations from Jane Fonda's activist days, as well as her thoughtful ruminations from her recent autobiography on war, political transformation, female anxiety, and the "need to be perfect," this remake gives voice to the artist's feelings about the criminality of contemporary war-making and our complicity in a world that gives rise to a kind of cultural bulimia. In the process, the video becomes an indirect chronicle of the remaking of a celebrity activist and the cultural shifts that allowed it to happen.

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Year:

2001