Sergei Soloviev

Kharms

He considers himself a genius but the publishers refuse to print his works. He loves women but they don’t always understand him. Constantly without money and out of touch with reality. The elegant fop Daniil Yuvachov names himself Kharms- a name just as effective as his appearance. An habitué of unending literary get-togethers and a lover of scandal. Living in society he is completely separate from it. Kharms throws down a gauntlet to his time, audaciously hurling himself into the vortex of reality, just as vague and arbitrary, with the same contradictions, as represented by his spirit.

Black Rose Stands for Sorrow Red Rose Stands for Love

In the heady days just prior to the collapse of the Soviet system in Russia, a satirical, anarchistic comedy such as this was just the sort of film to attract huge audiences. Told with the rapid-fire imagery and insistent soundtrack of a music video, it tells the story of Aleksandra (Tatyana Drubich), a self-centered 20-year old girl who escapes from her tiny apartment after she has been locked into by her father it to make her study for her exams.