Shu Lea Cheang

UKI

UKI’s storyline unfolds as we follow a defunct replicant REIKO dumped on Etrashville - a vast dump for tech - who tries to pull themselves back together with the help of Etrashville's transgenic inhabitants. Parallel to REIKO’s trajectory is that of an infected city where we are made aware of the reckless schemes of the biotech enterprise, GENOM Co.

Fresh Kill

Shareen and Claire, a lesbian couple living on Staten Island, find themselves ensnared in a vast conspiracy involving a ghost ship of nuclear refuse, ominous television commercials, and deadly cat food.

Taiwan: The Generation After Martial Law

This program illustrates how video activists have developed sophisticated use of small format video, with poetic and powerful imagery, complex mixes of sounds and scores and an effective editing style that belies the urgency under which it is being made. The video movement in Taiwan has made successful use of home cassette distribution, via both mail and street vendors. The Green Team collective has pioneered in this effort with over 100 titles in distribution, documenting the struggles of farmers, students, workers and environmentalists.

The Philippines: A Legacy of Violence

Underground video was an important tool during the Marcos era and contributed to the Aquino revolution. In the rejuvenated atmosphere within traditional Philippine media institutions, President Aquino has become the protagonist in a soap opera and the brunt of ribald satiric humor. A skit on a weekly comedy show Six O'Clock News, where a genial Bush twists Aquino's arm for continued U.S. military bases. Next, an emotional melodrama uses double exposure and surreal juxtapositions to address the current military repression. The debates about U.S. bases in the Philippines are played out in TV genres marked by a unique display of national character.