Аватар персоны Sijia Luo

Sijia Luo

DirectorWriter
She was born in Guangdong, China, and moved to Japan in 2016. She received her Ph.D. in animation film from Tokyo State University of Fine Arts School of Visual Studies in 2020. She currently works as a creator and producer of animation film. He has won awards in animation festivals in China, USA, and Germany, including the special jury prize of Feinaki Beijing Animation Week in 2020. He participated in the RAM PRACTICE 2021 EXHIBITION in Tokyo, an international computer graphics competition by invitation in 2021. She is particularly interested in incorporating elements of non-visual art into her works.

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Total Films

Also known as (female)

Guangdong, China

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Creative career

actor

0 Works

producer

0 Works

director

13 Works

writer

1 Works

other

7 Works

Miserable Miracle

Miserable Miracle

Directed by Japanese filmmaker Ryo Orikasa, this animated short was inspired by Henri Michaux’s book of poetry and drawings of the same name, about his experiences with mescaline. The film explores the limits of language and perception, creating connections between sound, meaning, shapes and movement.
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Year:

2023

RotAte Shika

RotAte Shika

The eleventh episode “Sirens” of the novel Ulysses by Irish author James Joyce, is readen by the voice of a machine. In this film, I used photographs I took before 2020 to imitate the sounds and voices described in the text. In the end, the dance of the manipulated body with animation comforted the anxious body that had locked itself in a room.
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Year:

2021

I Am a Motif

I Am a Motif

There are three "Motifs". The complete differences between them make themselves self-doubt. The melody begins, and the music motif could not resist the impulse to dance, but the others also catching up ... Am "I" also a "Motif"? This film uses a Fugue from Bach, tries to unify similar concepts that exist in different forms, including music, visual arts, and narrative.
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Year:

2020

I Am a Motif

I Am a Motif

There are three "Motifs". The complete differences between them make themselves self-doubt. The melody begins, and the music motif could not resist the impulse to dance, but the others also catching up ... Am "I" also a "Motif"? This film uses a Fugue from Bach, tries to unify similar concepts that exist in different forms, including music, visual arts, and narrative.
0.0

Year:

2020

I Am a Motif

I Am a Motif

There are three "Motifs". The complete differences between them make themselves self-doubt. The melody begins, and the music motif could not resist the impulse to dance, but the others also catching up ... Am "I" also a "Motif"? This film uses a Fugue from Bach, tries to unify similar concepts that exist in different forms, including music, visual arts, and narrative.
0.0

Year:

2020

I Am a Motif

I Am a Motif

There are three "Motifs". The complete differences between them make themselves self-doubt. The melody begins, and the music motif could not resist the impulse to dance, but the others also catching up ... Am "I" also a "Motif"? This film uses a Fugue from Bach, tries to unify similar concepts that exist in different forms, including music, visual arts, and narrative.
0.0

Year:

2020

I Am a Motif

I Am a Motif

There are three "Motifs". The complete differences between them make themselves self-doubt. The melody begins, and the music motif could not resist the impulse to dance, but the others also catching up ... Am "I" also a "Motif"? This film uses a Fugue from Bach, tries to unify similar concepts that exist in different forms, including music, visual arts, and narrative.
0.0

Year:

2020

I Am a Motif

I Am a Motif

There are three "Motifs". The complete differences between them make themselves self-doubt. The melody begins, and the music motif could not resist the impulse to dance, but the others also catching up ... Am "I" also a "Motif"? This film uses a Fugue from Bach, tries to unify similar concepts that exist in different forms, including music, visual arts, and narrative.
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Year:

2020

Time Autobahn

Time Autobahn

A speeding car leaps onto the highway of Time and hurtles forward -- its velocity is limitless.
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Year:

2018

Time Autobahn

Time Autobahn

A speeding car leaps onto the highway of Time and hurtles forward -- its velocity is limitless.
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Year:

2018

Be Gone

Be Gone

By exploring the possibilities of combining AI-generated content with hand-drawn 2D animation, it tells a story of a mobile phone that experiences the plight of modern people in a serendipitous epiphany, learning what it means to be human between life and death.
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Year:

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So Red and A Little Blue

So Red and A Little Blue

The fragments of information scatter amongst computer and Internet, and constitute the world of Red and Blue. When they meet, their faces look red, but are their moods also a little blue?
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Year:

2015

So Red and A Little Blue

So Red and A Little Blue

The fragments of information scatter amongst computer and Internet, and constitute the world of Red and Blue. When they meet, their faces look red, but are their moods also a little blue?
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Year:

2015