Sofía Velázquez Núñez

The Bastard Images

Embracing a temporary visual impairment, a filmmaker immerses in her family’s 1990s home movies, composing a narrative that reimagines her father’s vision. They reconnect in the present, amid vulnerability, awkwardness and love: the story of a gardener and a one-eyed woman.

The Bastard Images

Embracing a temporary visual impairment, a filmmaker immerses in her family’s 1990s home movies, composing a narrative that reimagines her father’s vision. They reconnect in the present, amid vulnerability, awkwardness and love: the story of a gardener and a one-eyed woman.

Mientras todo iba pasando

A young girl lands a paraglider in downtown Lima. As she moves through the city and along the beach, memories come flooding back. Recalling the time she spent accompanying two of her friends as they underwent clandestine abortions, she wonders what her presence meant to them, what her role as accompanist consisted of.

About Everything There Is to Know

A group of filmmakers arrives in Santiago de Chuco, a town in the Peruvian highlands where the poet César Vallejo was born. With the excuse of a casting, the filmmakers appropriate the theater and the inhabitants of the place arrive, revealing little by little some lives embraced by the aura of the poet, who died in Paris seventy years ago. All of them, inhabitants and filmmakers, are confused between verses, stories and poetry. Fantasy emerges and characters like the blind Santiago-who rings the bells always warning something-; or the young musician Elder - whose desires loom like a cornucopia-trace a liminal path between fiction and reality.

About Everything There Is to Know

A group of filmmakers arrives in Santiago de Chuco, a town in the Peruvian highlands where the poet César Vallejo was born. With the excuse of a casting, the filmmakers appropriate the theater and the inhabitants of the place arrive, revealing little by little some lives embraced by the aura of the poet, who died in Paris seventy years ago. All of them, inhabitants and filmmakers, are confused between verses, stories and poetry. Fantasy emerges and characters like the blind Santiago-who rings the bells always warning something-; or the young musician Elder - whose desires loom like a cornucopia-trace a liminal path between fiction and reality.

Retrato peruano del Perú

Eva is a young photographer who seeks to find herself in images. Miguel, a painter who has the magical power to transform the portrait of his clients and offer them what they want to be. Jhonny is a wandering Peruvian vendor who walks through Mexican streets offering stories and memories. These are three stories, about memory, common lives that have a path that unites them, the portrait of who they are and what they want to be.

Retrato peruano del Perú

Eva is a young photographer who seeks to find herself in images. Miguel, a painter who has the magical power to transform the portrait of his clients and offer them what they want to be. Jhonny is a wandering Peruvian vendor who walks through Mexican streets offering stories and memories. These are three stories, about memory, common lives that have a path that unites them, the portrait of who they are and what they want to be.

El otro cine

Short documentary about Lalo Parra and his film 'Uma, la cabeza de la bruja'.