Soledad Silva

Solitary Land

Easter Island is the second-most remote island from a continent in the world, after the Tristan da Cunha archipelago. It is located in the Pacific Ocean 3,680 kilometres away from Chile (of which it is part), inhabited for centuries by a population of Polynesian origin (for whom its name is Rapa-Nui). Exploited by European colonisers from the 18th century onwards, visited by archaeologists, anthropologists and tourists attracted by the moai, the large tuff statues that people its coastlines, and filmed thousands of times, it has a stable population and an administration that manages the existence of the community, including justice. The presence, on this isolated territory from which escape is difficult, of a prison, even if it is a building without walls, is therefore a bizarre paradox...

Genoveva

A photograph of an unknown Mapuche great-grandmother is the starting point of this documentary essay. Through the analysis of said picture, conversations with family members, a trip to southern Chile cities, and an actress who re-enacts the photo, we see the existing prejudice against indigenous people.

Genoveva

A photograph of an unknown Mapuche great-grandmother is the starting point of this documentary essay. Through the analysis of said picture, conversations with family members, a trip to southern Chile cities, and an actress who re-enacts the photo, we see the existing prejudice against indigenous people.

74 Square Meters

Iselsa and Cathy decided to be part of a project designed by leaders of social architecture, who will give them their own home and integrate them into a middle class neighborhood. The camera observes for 7 years: the lack of resources, a neighborhood that rejects them, problems in construction and the disaster caused by the rains. The most difficult thing will be to overcome the division of the community.

The Lifeguard

Mauricio, a lifeguard on a Chilean beach, considers himself to be a model of efficiency and professionalism. His colleagues, however, think otherwise, and speculate on why he never goes into the water. Maite Alberdi's visually gorgeous feature documentary debut has the intensity of a short story; beginning as a quirky character study of lifeguards and beachgoers, it becomes something altogether darker and more shocking when events take a dramatic turn.