Sophie Peyrard

Alien, Terror in Space

In space, no one can hear you scream! the catchy slogan that accompanies Alien sums up the unprecedented stakes of this film that will mark the history of cinema. In 1979, for the first time on screens, a mainstream feature film will mix two distinct worlds of genre cinema: science fiction and horror. Ridley Scott forever shakes up the cinematic landscape by plunging the audience into anguish with his oppressive universe and his iconic monster. The documentary looks back at the lasting impact of this masterpiece, exploring Scott’s audacity and the genesis of his unique aesthetic. In the claustrophobic corridors of the Nostromo spaceship, the heroine, played by Sigourney Weaver, becomes the first strong female figure to redefine the conventions of the genre, far from the clichés of the time. By revisiting the film's key sequences, the documentary shows how Alien explores profound themes such as survival and dehumanization, while reflecting a scathing critique of the capitalist system.

Alien, Terror in Space

In space, no one can hear you scream! the catchy slogan that accompanies Alien sums up the unprecedented stakes of this film that will mark the history of cinema. In 1979, for the first time on screens, a mainstream feature film will mix two distinct worlds of genre cinema: science fiction and horror. Ridley Scott forever shakes up the cinematic landscape by plunging the audience into anguish with his oppressive universe and his iconic monster. The documentary looks back at the lasting impact of this masterpiece, exploring Scott’s audacity and the genesis of his unique aesthetic. In the claustrophobic corridors of the Nostromo spaceship, the heroine, played by Sigourney Weaver, becomes the first strong female figure to redefine the conventions of the genre, far from the clichés of the time. By revisiting the film's key sequences, the documentary shows how Alien explores profound themes such as survival and dehumanization, while reflecting a scathing critique of the capitalist system.

Heavy Metal Kingdom: The New Wave of British Heavy Metal

Amid the social strife of 1970s Britain emerged NWOBHM, the New Wave of British Heavy Metal. New bands from ordinary British towns and suburbs like Iron Maiden, Def Leppard; Saxon, and Girlschool changed the face of amplified music and created a musical and cultural revolution. This is the story of Heavy Metal Kingdom.

Patti Smith: Electric Poet

At the age of 20, Patti Smith arrives in New York and upsets the codes of rock, poetry, and genre. She has become a living legend without ever leaving the sidelines. A poet, actress, and musician. Also militant. An artist with a thousand lives, now 74 years old. The documentary follows the course of Patti Smith's life. Childhood first, and the artist who says: "I wanted to be someone special. I felt distant. Not just from other children, I felt far from the whole world. I spent my childhood in think I was an alien. " Little Patti grew up in rural New Jersey and received a religious education from her Jehovah's Witness mother. But Patti Smith leaves the movement, which does not suit her artistic inclinations.

The Witches of Hollywood

A documentary studying the archetype of the witch in Hollywood cinema from the 1930s to the present and shows, between the lines, how it is linked to the social history of female power.

The Witches of Hollywood

A documentary studying the archetype of the witch in Hollywood cinema from the 1930s to the present and shows, between the lines, how it is linked to the social history of female power.

90s Divas: Whitney, Mariah, Céline

They're called the "vocal trinity": Whitney Houston, Mariah Carey and Céline Dion are the first divas of the pop era. But what defines a diva?

90s Divas: Whitney, Mariah, Céline

They're called the "vocal trinity": Whitney Houston, Mariah Carey and Céline Dion are the first divas of the pop era. But what defines a diva?

Abe Sada: A Japanese Crime of Passion

On May 18, 1936, Abe Sada, a former geisha, kills her lover by "erotic asphyxiation", then slices his sex and inscribes his name in his flesh. In an ultra-controlled and militarized Japan, the press is passionate about this transgressive incident, while the murderer defends herself, presenting her crime as an act of "crazy love". Relayed to the West, this murder conveys the image of a fantasized Japan, where all impulses are given free rein.

Abe Sada: A Japanese Crime of Passion

On May 18, 1936, Abe Sada, a former geisha, kills her lover by "erotic asphyxiation", then slices his sex and inscribes his name in his flesh. In an ultra-controlled and militarized Japan, the press is passionate about this transgressive incident, while the murderer defends herself, presenting her crime as an act of "crazy love". Relayed to the West, this murder conveys the image of a fantasized Japan, where all impulses are given free rein.

Pin-Up, the Revenge of a Sex Symbol

The pin-up is not just a pretty young woman, not so much dressed and fantasized. This popular American icon would even become a symbol of feminine claims. As soon as we pronounce the word "Pin-up", it's an erotic and retro cliché that comes to mind. We imagine a beautiful ingenue in light clothes looking at us with a smile, endless legs and sexy underwear to guess the curve of a buttock. This short-dressed girl who looks at us in the corner and smiles at us frankly, is an erotic icon.

Pin-Up, the Revenge of a Sex Symbol

The pin-up is not just a pretty young woman, not so much dressed and fantasized. This popular American icon would even become a symbol of feminine claims. As soon as we pronounce the word "Pin-up", it's an erotic and retro cliché that comes to mind. We imagine a beautiful ingenue in light clothes looking at us with a smile, endless legs and sexy underwear to guess the curve of a buttock. This short-dressed girl who looks at us in the corner and smiles at us frankly, is an erotic icon.