Аватар персоны Stéphane Marti

Stéphane Marti

DirectorWriterActor
Stéphane Marti (born January 7, 1951 in Algiers) is a filmmaker, visual artist and teacher as well as a user of Super 8, which he has practiced for 70 years and does everything for it survive the digital age. He studied under Dominique Neguez, an advocate and theoretician of experimental film, Michel Journiac, a major protagonist of the Body art and Andrew Almuro, a composer of electroacoustic music. From 1985 to 2007, he worked at the Faculty of Arts and Sciences of Art from the University of Paris 1 Sorbonne and shared his experience to new generations of filmmakers in workshops. Moreover, he organizes several screenings of films from his workshops, "the Smarti Brigades". In his films, Marti works around issues of the body, the sacred, of gender identity disorder and strategies of desire. Attached immediately by critics at the "School of the body" cinema revolves primarily around issues of the body and the sacred, of gender identity disorder and strategies of desire. Always chiseling his films by the super 8 that combines visual splendor with artistic and against-cultural independence, he designed a operatic esthetics of the intimacy, whose mannerist decadence, the telluric forces, the splendor rituals, golds and purples forge baroque and flamboyant coordinated its "small theaters of the body". Meanwhile, he engages in other practices such as painting, photography, installation, projection environments and shapes Totems facts assemblies, photomontages and objects from his own films and create, their combination, endless narratives, torn, fragmented as we know them in his films. Since, in particular, The City of nine gates (Grand different cinema award and award of criticism in Hyères festival in 1977), his film work has been shown in a large number of festivals and national and international events (in Montreal , New York, London, Tokyo, etc.) and generated numerous articles and interviews.

07-01-1951

Birthday

Capricorn

Zodiac Sign

-

Genres

5

Total Films

Also known as (male)

Place of Birth

Popular works

Creative career

actor

5 Works

producer

0 Works

director

35 Works

writer

2 Works

other

1 Works

Portraits / Mirrors

Portraits / Mirrors

A single-screen version of the Portraits / Mirrors multi-projection. Featuring portraits of: Aloual, Gaël Badaud, Raphaël Bassan, Yann Beauvais, Jean-Michel Bouhours, Gérard Courant, Berndt Deprez, Bertrand Gadenne, Mythia Kolésar, Christian Lebrat, Stéphane Marti, Pascal Martin, Michel Nedjar, Dominique Noguez, Vivian Ostrovsky, Bernard Roué, Martine Rousset, Alain Sayag, Unglee, and Catherine Zbinden.
0.0

Year:

1984

Diasparagmos: Rituel dionysiaque

Diasparagmos: Rituel dionysiaque

An avant-garde short film.
2.0

Year:

1980

Cinématon IV

Cinématon IV

Reel 4 of Gérard Courant's on-going Cinematon series.
0.0

Year:

1978

Cinématon

Cinématon

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.
4.3

Year:

1978

Cinexpérimentaux #7: Stéphane Marti

Cinexpérimentaux #7: Stéphane Marti

Stéphane Marti is a teacher and film-maker who, since 1976, has been expounding the plasticity of experimental cinema, freeing it from the dominant codes of narrative cinema. An avid defender of Super-8mm film (which he has been using for 30 years), he has fought for the acknowledgement of its excellence as a film-making tool. His work, which screens in festivals and at international events, has been the subject of numerous interviews and articles. Flamboyant, baroque and sensual, his work revolves primarily around the question of the body and the sacred.
0.0

Year:

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