Subhrajit Mitra

Rayabaghini Bhabashankari

Tigress Queen Of Bengal.

Rayabaghini Bhabashankari

Tigress Queen Of Bengal.

Rayabaghini Bhabashankari

Tigress Queen Of Bengal.

Rayabaghini Bhabashankari

Tigress Queen Of Bengal.

Devi Chowdhurani

Prafulla is married but is shunned by her wealthy father-in-law, Haraballabh, because of a spat between him and her mother on the day of her wedding. By custom prevalent at that time, a girl, once married, could not be divorced or remarried. Heartbroken at the fate of her only child, her mother died after a few years. Prafulla takes the drastic step to flee in the middle of the night to find the house of her in-laws whom she has never known, without any money, with knowledge of only the name of the village and name of her father-in-law. Benevolent people, surprised to see her traveling alone, help her on the way. This is consistent with the custom in Bengal that all unknown women were to be treated as one's own mother. Her father in law rejects her and tells her to steal for a living. She goes back and through a lot of experiences meets the dacoit head Bhavani Thakur.

Devi Chowdhurani

Prafulla is married but is shunned by her wealthy father-in-law, Haraballabh, because of a spat between him and her mother on the day of her wedding. By custom prevalent at that time, a girl, once married, could not be divorced or remarried. Heartbroken at the fate of her only child, her mother died after a few years. Prafulla takes the drastic step to flee in the middle of the night to find the house of her in-laws whom she has never known, without any money, with knowledge of only the name of the village and name of her father-in-law. Benevolent people, surprised to see her traveling alone, help her on the way. This is consistent with the custom in Bengal that all unknown women were to be treated as one's own mother. Her father in law rejects her and tells her to steal for a living. She goes back and through a lot of experiences meets the dacoit head Bhavani Thakur.

Devi Chowdhurani

Prafulla is married but is shunned by her wealthy father-in-law, Haraballabh, because of a spat between him and her mother on the day of her wedding. By custom prevalent at that time, a girl, once married, could not be divorced or remarried. Heartbroken at the fate of her only child, her mother died after a few years. Prafulla takes the drastic step to flee in the middle of the night to find the house of her in-laws whom she has never known, without any money, with knowledge of only the name of the village and name of her father-in-law. Benevolent people, surprised to see her traveling alone, help her on the way. This is consistent with the custom in Bengal that all unknown women were to be treated as one's own mother. Her father in law rejects her and tells her to steal for a living. She goes back and through a lot of experiences meets the dacoit head Bhavani Thakur.

The Wanderlust of Apu

With 'Avijatrik' (The Wanderlust of Apu) , by Subhrajit Mitra - the enduring and endearing character of 'Apu' is all set to return after 60 years. It is the sequel to the classic "Apu Trilogy", which were directed by Satyajit Ray.

The Wanderlust of Apu

With 'Avijatrik' (The Wanderlust of Apu) , by Subhrajit Mitra - the enduring and endearing character of 'Apu' is all set to return after 60 years. It is the sequel to the classic "Apu Trilogy", which were directed by Satyajit Ray.

Chorabali

Sumon is compelled to grow up in the city's underworld as mafia lord Osman Ali's killer machine. After killing a pregnant woman carrying Osman Ali's illegitimate child, Sumon's conscience leads him to defy Ali's order.

Aagun Pakhi

Aagun Pakhi is a Bengali drama film, directed by Shubhrajit Mitra, under the banner of Mindscapes Maestros. The film depicts how people suffer in the society to make a change in it. It also shows how people become weak if they fight against the politician or the corrupt system.

Flickering Angels

Featured here, are the journeys of a few girl children in the State of West Bengal, India, who have either lost their parents to unpropitious fate or are separated from them. These children hardly meet their parents, who are serving sentences in the correctional homes or residing as under trial prisoners. Separation from parental touch has not rummaged their lives, as they are in care of a home in a remote area in Ranaghat, on India Bangladesh border. Their ordeal has not barred them from nurturing their inner talents and skills in this home run by the pious nuns, called Dayabari. It unfolds the plaintive story of the bereaved parents who are ordained to live apart from their children, but have dreams surrounding them.

Mon Amour: Shesher Kobita Revisited

In this rethinking of Rabindranath Tagore's novel Shesher Kabita, filmmaker Rajarshi (Saheb Chatterjee) travels to Kolkata before directing his next movie. There, he encounters his past in the form of his former girlfriend, Indrajeet (Tota Roy Chowdhury), and teacher Brishti (Rituparna Sengupta). The Indian drama weaves the trio's past and present with the characters in Rajarshi's upcoming film. Subhrajit Mitra directs.

Mon Amour: Shesher Kobita Revisited

In this rethinking of Rabindranath Tagore's novel Shesher Kabita, filmmaker Rajarshi (Saheb Chatterjee) travels to Kolkata before directing his next movie. There, he encounters his past in the form of his former girlfriend, Indrajeet (Tota Roy Chowdhury), and teacher Brishti (Rituparna Sengupta). The Indian drama weaves the trio's past and present with the characters in Rajarshi's upcoming film. Subhrajit Mitra directs.

Kalmrigaya

A Fateful game of Hunting

Mayamrigaya

The film is based on Rabindranath Tagore's novel Dui Bon which was first published in 1933 and is among one of Tagore's last three works.

Mayamrigaya

The film is based on Rabindranath Tagore's novel Dui Bon which was first published in 1933 and is among one of Tagore's last three works.