Аватар персоны Sumitra Peries

Sumitra Peries

Director
Kala Keerthi Sumitra Peries (born 24 March 1934) is a Sri Lankan female filmmaker and is known as the "Poetess of Sinhala Cinema." She also held the post of Sri Lanka's ambassador to France, Spain, and the United Nations in the late 1990s. Her films include Gehenu Lamai, Ganga Addara and Yahaluvo. Description above from the Wikipedia article Sumitra Peries, licensed under CC-BY-SA, full list of contributors on Wikipedia.

-

Birthday

-

Zodiac Sign

-

Genres

0

Total Films

Also known as (female)

Place of Birth

Popular works

Creative career

actor

0 Works

producer

0 Works

director

11 Works

writer

0 Works

other

4 Works

The Tree Goddess

The Tree Goddess

Vaishnavee (The Goddess), (Sinhalese: වෛෂ්ණාවී) is a 2018 Sri Lankan Sinhala drama thriller film directed by veteran director Sumitra Peries and produced by Mano Nanayakkara. 1930’s, Sri Lanka. Partly a compelling domestic drama, and a demonic love story, the narrative follows a puppet-maker who’s set to be married to a young girl. Unfortunately, the girl elopes with her secret lover. Devastated, the grieving puppet-maker ends up carving a puppet in her likeness, which eventually comes to life, setting in motion a fantastical chain of events.
0.0

Year:

2018

Friends

Friends

Yahaluvo (Friends) (යහළුවෝ), also known as Yahaluwo, is a 2007 Sinhala romantic drama film. It was directed by Sumitra Peries, produced by Namal Senasinghe, the brother of Sujeewa Senasinghe, and scored by Navaratne Gamage. The film stars Sujeewa Senasinghe and Pooja Umashankar in lead roles along with Iranganie Serasinghe, Tony Ranasinghe, Kamal Addararachchi, and Anarkali Akarsha in supportive roles. It is the 1097th Sri Lankan film in the Sinhala cinema.
0.0

Year:

2007

The Garden

The Garden

The calm, dull marriage of a young woman and her much older husband is disturbed when the man's younger brother arrives at their home.
0.0

Year:

2003

Loku Duwa

Loku Duwa

"Loku Duwa" depicts an attractive and self-sacrificing daughter of the middle class in the city who is trapped in a family of traditional values.
0.0

Year:

1994

Sagara Jalaya Madi Handuwa Oba Handa

Sagara Jalaya Madi Handuwa Oba Handa

Voted for in Sight & Sound's 2022 Greatest Films of All Time poll
0.0

Year:

1988

The River's Edge

The River's Edge

England educated Dr. Sarath Pathirana (Vijaya Kumaratunga), who is willing to try out new methods to treat his patients, is directed towards a special patient by the Head Doctor (Henry Jayasena) at the mental hospital. This patient is a beautiful girl named Nirmala…
0.0

Year:

1980

The Girls

The Girls

The Girls is about the growing up of two schoolgirl sisters and the disappointments to which they are condemned by their impoverished backgrounds.
6.5

Year:

1978

The Girls

The Girls

The Girls is about the growing up of two schoolgirl sisters and the disappointments to which they are condemned by their impoverished backgrounds.
6.5

Year:

1978

White Flowers for the Dead

White Flowers for the Dead

Dr. Sarath (Tony Ranasinghe) domineers over his timid wife Vineetha (Sriyani Amarasena). When she is to have a Caesarean delivery of their baby, Sarath refuses to be present even though he himself is a doctor. She dies during surgery and Sarath is forced to live with the spectre of his wife hanging over him.
0.0

Year:

1978

Mangrove Island

Mangrove Island

Madol Duwa (Mangrove Island) is a 1976 Sri Lankan drama film directed by Lester James Peries and produced by Upasena Marasinghe. The film stars Ajith Jinadasa as Upali, a young rebellious youth who travels to a small island to get away from the restrictive society around him. The film is based on Martin Wickremasinghe's 1947 novel Madol Doova. It was a commercial success
0.0

Year:

1976

Changes in the Village

Changes in the Village

Piyal is a handsome young teacher who is hired to teach English to Nanda, a member of a high class family. They fall in love, but can't elope because Piyal is of a lower class. Nanda's parents instead push her into a marriage with Jinadasa, who is of the same class as them. With economic downturn in Sri Lanka, both families lose their status and Jinadasa leaves to try to make a better life for himself; he never achieves his goal and dies penniless. Piyal and Nanda can now finally come together. They have changed however, and the earlier idylic nature of their relationship is not recaptured.
5.4

Year:

1963