Аватар персоны Suzana de Moraes

Suzana de Moraes

ActorDirectorProducer
No biography

15-08-1940

Birthday

Leo

Zodiac Sign

-

Genres

18

Total Films

Susana de Mello de Moraes

Also known as (female)

Rio de Janeiro, Rio de Janeiro, Brazil

Place of Birth

Popular works

Creative career

actor

18 Works

producer

1 Works

director

6 Works

writer

0 Works

other

2 Works

Permanent Pan-Cinema

Permanent Pan-Cinema

Documentary about Brazilian poet Waly Salomão, for whom life was always a fictional film and poetry was a way to expose any naturalistic pretention. His convictions affected many friends like Antonio Cícero, Caetano Veloso and Carlos Nader, who documented Waly's life for 15 years. But how does one make a documentary about someone who believes everything is fiction?
0.0

Year:

2008

Vinicius de Moraes

Vinicius de Moraes

To celebrate the life and the work of a multifaceted creator – playwright, poet, partner of the most important names of Brazilian pop music and, above all, an enlightened character of the Brazilian cultural history - director Miguel Faria Jr. gathered an incomparable cast of partners, singers, friends and rare images from the archives recalling Vinícius’ genial simplicity, with the spontaneity, the humor, and the freedom of a person chatting over a bar table, exactly how the eternal Vinícius would enjoy.
6.2

Year:

2005

Suzana de Moraes

Suzana de Moraes

0.0

Year:

2005

Looking for Black Orpheus

Looking for Black Orpheus

Documentary about Marcel Camus' 1959 film Black Orpheus, its cultural and musical roots, and its resonance in Brazil today.
0.0

Year:

2005

A velha, o canto, as fotos

A velha, o canto, as fotos

Brazilian short film, directed by Julia Murat.
0.0

Year:

2001

O Amor Natural

O Amor Natural

O AMOR NATURAL is a documentary film about the erotic poetry of one of the greatest Latin American poets of the 20th century, the Brazilian Carlos Drummond de Andrade (1902-1987). The erotic poems of Carlos Drummond de Andrade, a household name in Brazil, remained unpublished during his lifetime, as he feared they would be deemed pornographic. In this celebration of his poetry and sensual vision, elderly residents of Rio read his poems and comment on their graphic, voluptuous imagery with tremendous candor and enthusiasm.
7.2

Year:

1996

Scent of Gardenias

Scent of Gardenias

Daniel is a taxi driver who’s married to Adalgisa. When she starts acting in low-budget movies, he forbids her from seeing their son, Joaquim. For more than a decade, Daniel nurtures a feeling of revenge for his ex-wife, which gains strength when their now adult son finds his mother in full professional decay.
5.8

Year:

1992

The Brazilwood Man

The Brazilwood Man

Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.
4.8

Year:

1982

O Gigante da América

O Gigante da América

A caboclo's soul wanders through purgatory (or hell), visiting many places until he boards a ship whose destination is unknown.
5.2

Year:

1980

The Werewolf: A Midnight Terror

The Werewolf: A Midnight Terror

A millionaire lives in a sinister cottage where strange events unfold. A damned creature, he transforms himself in a werewolf and leads a following whose adepts spread horror and despair in the neighboring city, becoming themselves a clan of assassins. One day, the werewolf confronts Branca Justiça (White Justice), who summons benign forces to scathe them and frees him of his own wickedness.
5.0

Year:

1975

O Capitão Bandeira Contra o Dr. Moura Brasil

O Capitão Bandeira Contra o Dr. Moura Brasil

Successful manager is haunted by a sinister character who enters his dreams, Dr. Moura Brasil.
0.0

Year:

1971

Mortal Sin

Mortal Sin

The eccentric members of a wealthy Brazilian family each go through personal torment, debauchery and intense guilt in this symbolic and gory film. The father has made a fortune in the slaughterhouse business and ignores the feelings of his wife and his workers. He frequents a mulatto woman, who is always seen naked. His daughter and her friend act on their lesbian fantasies before her friend marries her brother. An elderly aunt seduces the brother before she drowns herself in the swimming pool. His lesbian sister shoots the girl, and the boy incestuously attacks his mother. When the mother threatens to leave, the father begs for her to stay and continue the hollow charade of their marriage for the sake of social appearances. The father grovels before his mistress after his daughter slashes her wrists. Any comparison between this dysfunctional family, the Manson family, and Shelley Winters' sick Barker brood in Bloody Mama is all an unfortunate artistic coincidence.
0.0

Year:

1970

The Monsters of Babaloo

The Monsters of Babaloo

Daily scenes of a grotesque family living in the metaphorical island of Babaloo.
6.6

Year:

1970

Watch Out, Madame

Watch Out, Madame

Two maids decide to rebel against the society that oppresses them and start murdering their own mistresses.
6.0

Year:

1970

Pedro Diabo Loves Rosa Meia Noite

Pedro Diabo Loves Rosa Meia Noite

Unhappy with what he'd got from life, Pedro Diabo becomes a dread outlaw, whom the police is looking for. In his life of crime, he has the love and support of a strange woman, Rosa Meia-Noite, chorus girl who likes to wear rich costumes in Carnival Balls.
0.0

Year:

1969

The Girl from Ipanema

The Girl from Ipanema

Chronicles the life of a 17 year-old girl living in the upper-class Rio de Janeiro neighbourhood of Ipanema. Márcia lives a life of parties and spend her days among bohemians, musicians and intellectuals. While seeming happy in the outside, she's extremely anguished inside. Based on the famous song by Antonio Carlos Jobim and Vinicius de Moraes.
6.2

Year:

1967

Bethânia Bem de Perto: A Propósito de um Show

Bethânia Bem de Perto: A Propósito de um Show

Documentary about Maria Bethânia, at the very beginning of her career as a singer, when she arrived in Rio da Bahia to replace Nara Leão in the show Opinião. Bethânia's appearance, at that time in southern Rio, was a cultural shock that shook the city. The film also contains scenes of her daily life and meetings with other musicians.
6.7

Year:

1966