Sven Spur

Rachid

Rachid, a 21-year-old keen young man of Moroccan descent, has one goal: to find a job. He confidently applies for a job as dishwasher in a restaurant, which to him seems like a job anyone can do. But it soon turns out that all is not as simple as he imagined.

Night by Night

The night is blue and the moon is yellow. A renowned private eye is hired to observe a lonesome pianist.

Eden

A restless young man roves in the gay hotspots of a metropolis. Anonymous places dressed in mirrors, intense colors and kitschy decors are the landscape for this stranger in search of comfort, connection and himself.

Petit ami

Jasper, a 20 something playboy with little empathy, has a date in a rather obscure motel Petit Ami with Vincent, a mysterious older man. For Jasper just another day on the job, until he discovers Vincent's secret.

Boys On Film 16: Possession

Golden boys, teen lust, self-conscious dolls, chance encounters, a vengeful creature, holiday romance, hidden sexuality — Boys On Film celebrates it's (not so) sweet sixteen with an astonishing selection of the latest international gay short films. Volume 16: Possession features ten complete films: Kai Stänicke's "Golden" with Christian Tesch and Maximilian Gehrlinger; Christopher Manning's "Jamie" starring Sebastian Christophers and Raphael Verrion; Kai Stänicke's "B." starring Susanne Bormann and Andreas Jähnert; Blake Mawson's "PYOTR495" starring Alex Ozerov; Charlie Francis's "When A Man Loves A Woman" starring Tommy Jay Brennan, Jemima Spence, and Diane Brooks Webster; Anthony Schatteman's "Follow Me" starring Ezra Fieremans and Maarten Ketels; Jake Graf's "Chance" starring 'ABS' and Clifford Hume; Andrew Keenan-Bolger's "Sign" starring John McGinty and Preston Sadleir; Oliver Mason's "Away With Me" starring Chris Polick and Lee Knight; and "We Could Be Parents" by Björn Elgerd.

Follow Me

Jasper (20), on the edge of adulthood , wanders around lost in the Port of Ghent. Fragments of a phone call betray a loss.

Les mains qui travaillent

While separating peanuts from their shells, the women in a collective in Agadez, Niger, talk to each other about the men passing by and the filmmaker being present. Focusing on their working hands, the camera reveals the harsh conditions of these women’s daily lives.