Sylvie Lacoste

Tell Me Why These Things Are So Beautiful

Brother Marie-Victorin was 46 when he met 23-year-old Marcelle Gauvreau. Both have been close to death and share the same love of God and Nature. He becomes her teacher, later she becomes his assistant. Their friendship evolves. Marie-Victorin offers Marcelle different readings on sexuality that she hastens to comment on from her own intimate experiences. In an epistolary exchange that will last until the death of Marie-Victorin, they explore human desires and "biology without a veil". This great chaste love, the love of Quebec's flora, pushes them to question their own relationship with love and Nature.

Kuessipan

Two childhood friends from the same Quebec Innu community begin to realize that they face very different futures.

Hochelaga, Land of Souls

Mohawk archaeologist Baptiste Asigny engages in a search for his ancestors following a tragic terrain slump in the Percival Molson Stadium.

Corbo

Montreal, spring 1966. Jean Corbo, 16 years old, born to a Quebec mother and an Italian father, is torn between his two affiliations. After befriending two young far-left activists, he joined the Front de Libération du Québec, an underground radical group. Jean, from then on, marches inexorably towards his destiny.

Corno

A feature-length documentary portrait of Québécoise painter Johanne Corno, who has lived and worked in New York City for more than 20 years. Ignored by the art intelligentsia in Québec, she settled abroad to escape that creative constraint, and built an enviable international career. Today, she casts a lucid eye on her work and describes the resources she draws on to survive in the jungle of the contemporary art world.

Corno

A feature-length documentary portrait of Québécoise painter Johanne Corno, who has lived and worked in New York City for more than 20 years. Ignored by the art intelligentsia in Québec, she settled abroad to escape that creative constraint, and built an enviable international career. Today, she casts a lucid eye on her work and describes the resources she draws on to survive in the jungle of the contemporary art world.