Tadeusz Wybult

The Constant Factor

A young man is confronted with corrupt and vindictive colleagues at work and negligent officials at the hospital where his mother is dying. As he searches quixotically for a steadfast moral code by which to live, he suffers from the knowledge of human frailty and our darker inclinations to do harm.

Ways in the Night

Friedrich is a wealthy, handsome German soldier fighting in World War II. His unit is stationed in Poland and occupies the estate of Countess Elzbieta. Forced to remain in her presence, Friedrich begins to pursue Elzbieta out of boredom.

Lost Night

A Warsaw writer, Wacław Kisielecki, returning from Rome, has his car break down somewhere late in the evening on a country road, so he and his chauffeur, Konstanty, have to look for accommodation in a nearby manor house. Its owner is a young man, Jan, who has been managing the severely run-down estate himself since his mother's death.

The Wedding

Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division under Russia, Prussia, and Austria. The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past. In the end a call to arms is called but turns out to be a hoax.

Behind the Wall

Jan is a young assistant professor in chemistry and a workaholic, Anna is an unsuccessful science writer who turns to Jan for advice and human compassion, but Jan, absorbed with his career, remains immune to Anna's clumsy efforts to pierce his defenses.