20-02-1937
Birthday
Pisces
Zodiac Sign
-
Genres
8
Total Films
Also known as (male)
Tokyo, Japan
Place of Birth
20-02-1937
Birthday
Pisces
Zodiac Sign
-
Genres
8
Total Films
Iimura Takahiko
Also Known As (male)
Tokyo, Japan
Place of Birth
actor
8 Works
producer
2 Works
director
96 Works
writer
5 Works
other
5 Works
Film Workshop In SANGENJAYA - Summer
8mm short by Kenji Onishi and Tohru Mabuchi.Year:
2012
Associations of Silverpencils
This is a film about a medium approaching extinction, an 8mm documentary film about a vanishing 8mm cinema. Blending two genres, the science film and the personal film, and benefiting from the participation of multiple generations of cineastes, it is a reflection upon the original cinematic experience.Year:
2011
Un Ange Passe
Experimental short by Keiji Aiuchi.Year:
2002
Birth of a Nation
Filmmaker Jonas Mekas films 160 underground film people over four decades.Year:
1997
A I U E O NN Six Features
Experimental film involving letters.Year:
1993
Home Movies 1971-81
Home movies shot on Super 8mm by W+B Hein over 10 years.Year:
1985
Four Shadows
Four four-minute image sections and four four-minute sound sections are linked in all combinations of the sound sections with each of the image sections. This established affinities between each of the image sections to the others, and the sound sections to each other. The image sections are: surveyors measuring the land near my house as seen through an old window, a family of Siamang Gibbon apes in the Washington zoo, an industrial site, and a page turned from a book on Cézanne’s composition showing a diagram of his painting Mardi Gras, filmed against bright leaves. The sound sections are: a dramatic scene from Debussy’s opera “Pelléas et Mélisande”, a passage from William Wordworth’s autobiographical poem “The Prelude,” sounds from rowing on a lake at night, and the sounds of the apes vocalizing.Year:
1978
Filmmakers
Iimura creates a short self-portrait as well as brief portraits of five of his peers: Brakhage, Vanderbeek, Smith, Mekas and Warhol. In each portrait, Iimura attempts to copy the styles and traits of each artist (Vanderbeek's constantly moving camera; Mekas' experiments with film speed; Warhol's use of flashes of white against a black background), while briefly commenting on the images being shown. The film serves effectively as an introduction to the film styles of these artists.Year:
1969
