Tessa Hughes-Freeland

Blank City

In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.

Do You Love Me Like I Love You (Part 6: The Good Son)

A short film to accompany the reissue of Nick Cave & The Bad Seeds album The Good Son (originally released in 1990). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

Do You Love Me Like I Love You (Part 3: Kicking Against the Pricks)

A short film to accompany the reissue of Nick Cave & The Bad Seeds album Kicking Against the Pricks (originally released in 1986). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

Do You Love Me Like I Love You (Part 1: From Her to Eternity)

A short film to accompany the reissue of Nick Cave & The Bad Seeds album From Her to Eternity (originally released in 1984). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.