Tiago Scorza

Clementina

A film about the universe of Clementina de Jesus, singer revealed at the age of 63 as one of the greatest voices in the history of Samba.

Copa 181

COPA 181 is the first feature film by Brazilian director Dannon Lacerda. It is a 100% independent production that deals with the relationship of a couple that is affected by the events in a gay sauna. Awarded in several festivals in Brazil and in other countries, the director had the premiere of his film at the Rio de Janeiro International Film Festival in October 2017.

O Gigantesco Imã

Filmed in the Pernambuco backlands, the film wanders through ten years in the life of Evangelista Ignacio de Oliveira, an amateur scientist, artist and inventor.

Memória para Uso Diário

Ivanilda seeks evidence to prove that her husband, who has disappeared since 1975, was arrested by the Brazilian government. Romildo searches for his brother's body in a cemetery in the suburb of Rio de Janeiro. Mothers cry for their children, murdered by the police in the slums. They belong to the group "Tortura Nunca Mais", which, interacting between a traumatic memory and oblivion, brings up the memory of recent events. They also reveal the selectivity of official history and build a political memory. They think of the past so that they can free the future from the ghosts they still chase in the present.

Sambando nas Brasas, Morô?

The adventures of Pedro, a musician who is trying his luck in Rio de Janeiro, in the 1950's. He leaves his hometown Belo Horizonte to share a lodging with his brother Carlos in Rio. During one of his gigs, he meets Arlete, a singer in a vocal group and fall in love.

L.A.P.A.

Documentary about the world of hip hop and the daily life of those who seek to survive from music in Brazil, all set in the traditional neighborhood of Lapa Carioca.

Balé de Pé No Chão

The documentary video follows the unique trajectory of the dancer Mercedes Baptista, considered the main precursor of Afro-Brazilian dance.

Balé de Pé No Chão

The documentary video follows the unique trajectory of the dancer Mercedes Baptista, considered the main precursor of Afro-Brazilian dance.