Tobias Büchner

Barbara Morgenstern – Doing It for Love

For the first time in six years, Barbara Morgenstern, pioneer of German-style electronic intimate pop, works on a new album. Her laptop sits on a shoebox, in the privacy of her home she finds first lines and harmonies: “I like to be alone,” one song begins. One by one, musicians join her. Intuitive ideas take shape. A window has opened. Arrangements, rehearsals, recordings follow. Step by step, the music enters public space, images are produced, videos, narratives. Questions arise: New beginning or back to the roots? New Biedermeier or tough political comment? The bigger the band, the riskier the booking. The more crisis-ridden the environment, the more comforting the music-making.

Reminiscence of a Moviegoer

For Reminiscence of a Moviegoer, filmmaker Christiane Büchner works extensive interviews with the late Werner Dütsch, a commissioning editor at the German television station WDR, and massively influential figure in postwar West German film culture, into a moving portrait of cinephilia through time.

Copilot

Asli and Saeed fall in love in the mid-1990s. Although Asli’s mother is against their relationship, they secretly get married. Then he disappears. A sensitive love story that recounts how Saeed changes Asli’s life – before the entire world is shaken.

Land of My Children

Darío Aguirre moved from Ecuador to Germany to be with Stephanie, but from the very first day there was a third party in their relationship:the government. They issued him ten visas in fifteen years. A long trail of papers, stamps, permits, and restrictions connected Darío to Germany while also keeping him at a distance. Then one fine day the mayor of Hamburg invites Darío to become a German citizen. A confession of love? Darío responds with a tender, ironic road movie that traces his intertwined journey from the country of his fathers to the country of his children.

Furusato

A small town in Japan's exclusion zone searches for normalcy in the five years following the greatest nuclear catastrophe since Chernobyl.

Five Ways to Darío

Since more than 10 years the director Darío Aguirre lives between two totally different worlds, Germany and Ecuador. He decides to make an extraordinary journey, visiting five unknown men called Darío Aguirre as well: One in Mexico and four in Argentina. Meeting each other develops into a reconcilement with their own past lives and permits a brief glance into the protagonists’ present time. For two months Darío shares five different lives, adapting himself to situations and activities he has never done before.

PereSTROIKA: Reconstruction of a Flat

In a St. Petersburg apartment, every room belongs to a family. The four families share the kitchen and bathroom in shifts. One family decides to sell their room and money hungry agents try to sell everyone else's rooms as well.

Bungalow

A major work of the celebrated Berlin School, the debut of Ulrich Köhler (In My Room) is a mesmerizing portrait of a young German soldier named Paul who goes AWOL and returns to his childhood home in the countryside. Over a few summer days, Paul evades the responsibilities of everyday life and falls in love with his brother’s girlfriend, disrupting the lives of everyone in his circle. With Köhler’s penchant for deadpan humor and subtle performances, Bungalow becomes a quiet mockery of militarism, familial estrangement, and youthful ennui.