Trevor Mathison

Listening All Night To The Rain

Listening All Night To The Rain continues John Akomfrah’s abiding interest in post-colonialism, ecology and the politics of aesthetics with a renewed focus on the sonic. Drawing its title from Chinese writer and artist Su Dongpo’s (1037 - 1101) poetry that meditates upon the transitory nature of life during a period of political exile, the exhibition is seen as a manifesto that encourages the act of listening as a form of activism. Conceived as a single landscape or artwork organised into song-like movements or ‘cantos’ that are inspired by American poet Ezra Pound’s (1885 - 1972) journey through history in The Cantos (1925), the exhibition brings together eight multimedia and sound installations.

America

A cinematic omnibus rooted in New Orleans, challenging the idea of black cinema as a "wave" or "movement in time," proposing instead a continuous thread of achievement.

Mimesis: African Soldier

Commemorateing the millions of African soldiers, labourers and carriers participated in the First World War on the African continent and on the Western Front in Europe.

Purple

Purple is a six-channel video installation addressing climate change, human communities and the wilderness. At a time when greenhouse gas emissions from human activities are at their highest levels in history, with people experiencing the significant impacts of climate change, including shifting weather patterns, rising sea levels, and more extreme weather events, Akomfrah’s Purple brings a multitude of ideas into conversation. These include animal extinctions, the memory of ice, the plastic ocean and global warming. Akomfrah has combined hundreds of hours of archival footage with newly shot film and a hypnotic sound score to produce the video installation.

Numen

A fictional journey of post-apocalyptic survival.

At the Graveside of Tarkovsky

A homage to Russian film giant Andrei Tarkovsky, this work integrates excerpts of soundtracks from Tarkovsky’s films with a slideshow of landscapes shot by Akomfrah and an evocative sculptural installation. Working with long time collaborator, sound artist Trevor Mathison, Akomfrah creates an environment thick with longing and the evasive and yet inescapable presence of death. At the Graveside of Tarkovsky is a mixed media installation with sound and single channel HD colour video.

The Nine Muses

Part documentary, part personal essay, this experimental film combines archive imagery with the striking wintry landscapes of Alaska to tell the story of immigrant experience coming into the UK from 1960 onwards.

Digitopia

Drama about a man who lives in an analogue world but seeks to fulfil his desires in a digital world.

Riot

John Akomfrah’s seminal Riot traces the riots in Liverpool during July 1981 in a climate of economic recession under Thatcher’s regime. Akomfrah captures this turning point in Britain’s struggle towards multicultural democracy through interviews revealing the ghettoisation and racial abuse in Toxteth that escalated with stop-and-search policing tactics following the “sus” laws.

Goldie: When Saturn Returns

Goldie, the godfather of drum and bass takes us on a roller coaster ride through his frenetic life. A journey that takes us from Wolver Hampton to Tokyo, Miami to Hong Kong; through his years in council care and his life as a musician and international pop star. Along the way we meet his family, his collaborators and his celebrated friends, David Bowie and Noel Gallagher.

The Last Angel of History

An examination of the hitherto unexplored relationships between Pan-African culture, science fiction, intergalactic travel, and rapidly progressing computer technology.

Three Songs on Pain, Time and Light

Three Songs on Pain, Time and Light is a video portrait in deliberately unbalanced colours, made by Trevor Mathison and Edward George and produced with Black Audio Film Collective.

Fathers, Sons and Unholy Ghosts

When Martin, a young father, is left alone one weekend with his son, his memories of past rejection from his own father come to the surface. As he walks through this complicated history, Martin begins to doubt his own ability to love.

Seven Songs for Malcolm X

The Black Audio Film Collective’s seventh film envisioned the death and life of the African American revolutionary as a seven part study in iconography as narrated by novelist Toni Cade Bambara and actor Giancarlo Espesito. The stylized tableaux vivants that memorialise Malcolm’s life referenced the early 20th century funeral photography of James Van der Zee’s The Harlem Book of the Dead and the elemental static cinematography of Sergei Paradjanov’s The Colour of Pomegranates.

Who Needs a Heart

The tumultuous life of the controversial 1960s black revolutionary (and convicted murderer) Michael X is illustrated by a kaleidoscopic melding of sound and images. The radically discordant free jazz soundtrack provides a surreal counterpoint to the mix of newsreel and staged footage in this exhilarating experiment in documentary storytelling.

Looking for Langston

A black and white, fantasy-like recreation of high-society gay men during the Harlem Renaissance, with archival footage and photographs intercut with a story. A wake is going on, with mourners gathered around a coffin. Downstairs is an elegant bar where tuxedoed men dance and talk. One of them has a dream in which he comes upon Beauty, who seems to reject him, although when he awakes, Beauty is sleeping beside him. His story and his visits to the jazz and dance club are framed by voices reading from the poetry and essays of Hughes and others. The text is rarely explicit, but the freedom of gay Black men in the 1920s in Harlem is suggested and celebrated visually.

Twilight City

A fictional letter from a daughter, Olivia, to her mother in Dominica is the narrative thread connecting interviews from (predominantly) black and Asian cultural critics, historians and journalists. The choice of occupation for the daughter, a researcher, perhaps strains the narrative conceit too far. Nevertheless, for an avowedly political documentary the result is absorbing.

Handsworth Songs

The Black Audio Film Collective’s acclaimed essay film, 'Handsworth Songs', examines the 1985 race riots in Handsworth and London. Interweaving archival photographs, newsreel clips, and home movie footage, the film is both an exploration of documentary aesthetics and a broad meditation social and cultural oppression through Britain’s intertwined narratives of racism and economic decline.

Handsworth Songs

The Black Audio Film Collective’s acclaimed essay film, 'Handsworth Songs', examines the 1985 race riots in Handsworth and London. Interweaving archival photographs, newsreel clips, and home movie footage, the film is both an exploration of documentary aesthetics and a broad meditation social and cultural oppression through Britain’s intertwined narratives of racism and economic decline.

Lime Kiln Club Field Day

Modeled after a popular collection of stories known as "Brother Gardener's Lime Kiln Club," the plot features three suitors vying to win the hand of the local beauty. Filmed in 1913, but after considerable footage was shot, the film was abandoned. One hundred years later, the seven reels of untitled and unassembled footage were discovered in the film vaults of the Museum of Modern Art, and are now believed to constitute the earliest surviving feature film starring black actors.

Black Bullets

Black Bullets is an homage to the Haitian revolution of 1791 when enslaved Africans rebelled against colonial rule. The slavery practiced by the French colonial administration is known as one of the cruellest periods of forced labour. The Haitian revolution, the only successful slave uprising in history, set the scene for Haiti’s independence in 1804. In the video piece, walking human figures and their reflections are depicted against the sky on a mountain-top fort, which was built by the first black Haitian monarch Henri Christophe at the start of the 19th century to defend independent Haiti against the French.