Аватар персоны Vanessa Renwick

Vanessa Renwick

DirectorActorWriter
Vanessa Olivia Renwick is a non-binary artist of Scottish and German descent, born on the traditional and unceded territory of the Illiniwek in what is now known as Chicago, Illinois. They live and work as an uninvited guest on the traditional territory of the Chinookan peoples, now known as Portland, Oregon. Often focusing their lens on nature, freedom and the locales of their adopted home, the Pacific Northwest, Renwick uses avant-garde formal elements to explore radical politics and environmental issues. An artist who often self-distributes, their screening history reads as a map of independent cinema worldwide. They have screened work in hundreds of venues internationally, institutional and not, including The Museum of Modern Art, Light Industry, The Wexner Center for the Arts, Art Basel, Oberhausen, The Museum of Jurassic Technology, Centre Pompidou, Bread and Puppet Theater and True/False Film Festival, among many others.

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Birthday

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Genres

2

Total Films

Also known as (female)

Chicago, Illinois, USA

Place of Birth

Popular works









Creative career

actor

2 Works

producer

0 Works

director

40 Works

writer

2 Works

other

19 Works

SF HITCH

SF HITCH

A wolf dog’s restlessness prompts a pilgrimage from the burly sprawl of Chicago to investigate the myth of San Francisco. A hitchhiking triumph–even with the enormous canine companion, the camera-toting traveler never waited longer than 5 minutes roadside before ‘strangers in the brotherhood of hitchhiking’ furthered the pair down the long road west. The narration showcases the filmmaker’s gift with words as well as images. Viewing the film, we become hitchhikers as well, drawn into the mesmerizing, flickering story. Highlights include encounters with famous beatnik writers and the acquisition of a Holy Grail that has since influenced Renwick’s bright career–a copy of James Broughton’s Seeing the Light, purchased, perfectly, at City Lights Books.
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Year:

2012

Crowdog

Crowdog

This journal entry of a film describes a young artist in the midst of over two years of shoe-free peregrinations, with a spare, mesmerizing narration that reflects a landscape ranging from the slimy underbelly of dirty Chicago to a hitchhiker’s perch in the back of a dusty pickup truck.
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Year:

1984