Victoria Marotta

The Human Surge 3

Different groups of people wander in a rainy, windy, dark world. They spend time together, trying to get away from their depressing jobs, meandering constantly towards a disturbing surreal queer fantasy.

An Odd Turn

Buenos Aires, 2019. Lucrecia, who jobs as a museum security guard, foresees a sharp rise in the dollar’s value with her pendulum and falls in love with a currency exchange house employee.

Riders

In Argentina, the majority of delivery drivers working for local UberEats clone apps are Venezuelans who have fled the crisis ravaging their country. Filmed during the pandemic in Buenos Aires, Caracas and Colonia Tovar, Riders forcefully immerses us in the gruelling daily lives of those exploited by the platform economy at both ends of South America.

Riders

In Argentina, the majority of delivery drivers working for local UberEats clone apps are Venezuelans who have fled the crisis ravaging their country. Filmed during the pandemic in Buenos Aires, Caracas and Colonia Tovar, Riders forcefully immerses us in the gruelling daily lives of those exploited by the platform economy at both ends of South America.

About Thirty

This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.

About Thirty

This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.

Ski

There is a monster in Lake Nahuel Huapi. At twilight, it spreads across the surface of the water like a taut cowhide, grabbing its victims with sharp claws. Another monster also lurks around the lake, near Bariloche, in the Argentine Andes.

Ski

There is a monster in Lake Nahuel Huapi. At twilight, it spreads across the surface of the water like a taut cowhide, grabbing its victims with sharp claws. Another monster also lurks around the lake, near Bariloche, in the Argentine Andes.

Electric Swan

Buildings are not supposed to move. But on Avenida Libertador 2050, a building moves and the ceiling shivers, causing a strange nausea that devours its residents. Those who live on the top are afraid they’ll fall, the ones who live beneath are afraid they’ll drown.

Shakti

Federico, in his mid-20s, lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend. He fears hurting her. However, she is laid-back, feisty and not even close to feeling hurt. He begins obsessing over her unexpected reaction—but then he meets someone else.

Shakti

Federico, in his mid-20s, lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend. He fears hurting her. However, she is laid-back, feisty and not even close to feeling hurt. He begins obsessing over her unexpected reaction—but then he meets someone else.

The Practice

Dealing with a series of increasingly absurd situations and relationships, recently separated yoga instructors Gustavo and Vanesa are finding it difficult to live apart. Their challenges include meddling mothers, amnesiac students, and burgeoning romances. Step by step, they find their way back to the practice.

The Practice

Dealing with a series of increasingly absurd situations and relationships, recently separated yoga instructors Gustavo and Vanesa are finding it difficult to live apart. Their challenges include meddling mothers, amnesiac students, and burgeoning romances. Step by step, they find their way back to the practice.

Dear Renzo

Two young Argentines, brought together by chance, wander the streets of New York City, increasingly lost in a maze of currency exchange, translation problems, religious vocation and nocturnal flirtation.

El novio actual

A filmmaker meets her ex-boyfriend, who plays a role in her new film, in which the authenticity or falsity of a kiss in a gay scene is debated, with backstage included. Metacine or metagay? Gay cinema within cinema or cinema within gay cinema, variations of a daedalus of representations. "The current boyfriend" feeds on lateral humor, on the political of desire as a talk in the kitchen, on the flicker-free observation of who we are and what we pretend to be, as a nucleus that is reinterpreted with always different gestures, once as drama and another like comedy, almost without knowing which is appropriate.