Viridiana Olvera

Cosmos

In a forgotten village of the Yucatán, Lena, a 68-year-old widow, crosses paths with Leon, a 62-year-old Mayan guardian of nature’s secrets and spirits. Lena finds an unexpected companion in Leon. Despite their differences and seemingly opposite worlds, a deep connection forms between them—one that will bind them until death. In his new film, Germinal Roaux, one of the most unique voices of contemporary European cinema, delivers a philosophical story about aging and the decay of the body. Above all, it’s about solidarity and the small gestures of love that give meaning—and dignity—to our existence. True to the aesthetic codes established in his previous works, Roaux’s film, shot in black and white and unfolding with a ritualistic rhythm that mirrors the slow passage of time at the twilight of life, speaks poetically and with genuine emotion about the most essential bond that connects us: love.

At Midnight

Alejandro's life is disrupted when actress Sophie Wilder stays at his hotel. To their surprise, the two fall for one another, meeting at midnight.

No abras la puerta

Fausto and Esther childhood was tormented. Fausto, trying to escape from his father. Esther, mistreated by her brother-in-law. They both begin to be involved in a supernatural situation. Over which they have no control.

Wheatfield

During the summer, thirteen-year-old Sofia moves to the country house, where her cousin Cristina is waiting for her to spend the vacations. During these days of games and discoveries, the two will be immersed in a love triangle with a man almost twenty years older. Its outcome will mark the passage from puberty to adolescence for both of them.

Sundown

When a distant emergency disrupts a vacation in Acapulco, simmering tensions rise to the fore between scions of a wealthy British family.

Estanislao

After 15 years, Mateo returns to the old textile factory to say goodbye to his recently deceased mother. Incidentally, he will have to spend time with his alcoholic father, whom he can't stand.

Go Youth!

Four stories about teens living in Mexico City on their way to become young adults.

The Darkest Days of Us

The death of her sister has haunted Ana since her childhood. Ana has returned to Tijuana, her hometown, where she will have to fight this fragmented, cloudy and painful memory.

Beyond The Mountain

Miguel is a lonely boy letting his life pass by in a monotonous routine. He works in a public kiosk, takes care of his mother Consuelo and dreams with Carmela's love, one of his usual clients. One day, this perfect bubble of dissatisfaction pops when his mother dies. The tragic event, forces him to face his past and to make a radical decision: find the father that abandoned them, with the intention to kill him.

Walking Distance

A heart-warming story of Fede who discovers his passion to photography and his two new friends help him to find a way from his loneliness and four walls of his apartment. The three friends - an obese Fede, his brother-in-law Ramón and Paulo, a lonely teenager who loves comic books - form a friendship that completely changes their lives.

The Life After

Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.

Gofer

Alan’s daily life as a driver and assistant to a federal deputy entails enduring the anger and arrogance of his superior; sufering the contempt of the deputy’s bodyguards and, above all, cleaning up all traces of his boss’ misbehaviour. Today, however, Alan has decided that things will be different.

The Clean Hands

A silent glimpse at love, blood, and other stuff that keep you awake at night.

Burn the Bridges

Eugenia is a former pop singer who is bedridden and dying of cancer. She is cared for by her daughter, Helena, who dreams of traveling the world and wishes she could be a glamorous pop star like her mother was. Helena’s younger brother Sebastian's dreams are simple and he merely wants to move to the beach. Helena is smart and pretty but she has no friends, male or female and is totally devoted to her mother's care and is also on the verge of initiating an incestuous relationship with Sebastian. Sebastian however, is falling in love with a boy at school named Juan who is the school roughneck and the son of a single father who owns a little bar. Juan is the nemesis of the school preppy named Ismael who comes from such a wealthy home that he has his own chauffeur and bodyguards. Ismael's ping-pong obsessed girlfriend Aurora rents a room at Helena and Sebastian's house where Ismael discovers he is also attracted to Sebastian.