Vladimir Legoshin
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Total Films
В. Легошин
Also known as (male)
Place of Birth
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Birthday
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Zodiac Sign
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Genres
0
Total Films
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Also Known As (male)
-
Place of Birth
-
Birthday
-
Zodiac Sign
-
Genres
0
Total Films
В. Легошин
Also known as (male)
Place of Birth
-
Birthday
-
Zodiac Sign
-
Genres
0
Total Films
-
Also Known As (male)
-
Place of Birth
actor
0 Works
producer
0 Works
director
9 Works
writer
3 Works
other
1 Works

They Have a Motherland
The Great Patriotic War is over, but Major Sorokin and Colonel Dobrygin still have a lot to do for their homeland. They must go to West Germany in order to find and return the children who were taken out of the Soviet Union by the Nazis and are now kept in atrocious conditions under the supervision of British intelligence. Former allies want to grow real spies out of their children.Year:
1949

Duel
The Second World War. A new L-2 heavy duty gun is being supplied to the Soviet Army. German intelligence needs to seize a new secret weapon.Year:
1945
Shyol soldat s fronta
The film takes place during the German occupation of Ukraine in 1919, the main characters are folk characters - the brave soldier Semon Kotko and the beautiful girl Sofya.Year:
1939

The Lonely White Sail
Two young boys strive to save the life of an officer trapped by the White Russians. Their efforts are both comic and dramaticYear:
1937

Song of Happiness
A coming-of-age story about a flute-playing boy (Yyvan Kyrla) from the Mari people, a national minority who lived near the Volga, and how he is educated by the Soviet state.Year:
1934
Plan for Great Works
Compilation documentary with postdubbed sound onlyYear:
1930
The Drive of Death
Year:
1929

Lace
Since director Sergei Yutkevich was a longtime lover of American slapstick, his first films were imbued with a playfulness and cheeriness not typical of Russian cinema. And Kruzheva is a good example of that as he illustrates the friendly rivalries between the youths on village in both a very rough and clowning way.Year:
1928

Lace
Since director Sergei Yutkevich was a longtime lover of American slapstick, his first films were imbued with a playfulness and cheeriness not typical of Russian cinema. And Kruzheva is a good example of that as he illustrates the friendly rivalries between the youths on village in both a very rough and clowning way.Year:
1928