Willoughby Sharp
ActorDirector
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Birthday
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Genres
5
Total Films
Also known as (female)
Place of Birth
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Birthday
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Zodiac Sign
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Genres
5
Total Films
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Also Known As (female)
-
Place of Birth
-
Birthday
-
Zodiac Sign
-
Genres
5
Total Films
Also known as (female)
Place of Birth
-
Birthday
-
Zodiac Sign
-
Genres
5
Total Films
-
Also Known As (female)
-
Place of Birth
actor
5 Works
producer
0 Works
director
3 Works
writer
0 Works
other
0 Works
I Was a Quality of Life Violation
An old lady looks for her missing dog and is arrested for putting up posters.Year:
2004
Whoregasm
Nick Zedd's controversial and disturbing WHOREGASM is a twelve-minute barrage of sexual loops interspersed with bits of found footage, dizzying opticals, and outtakes of Zedd's own POLICE STATE. The sex scenes, most which appear to be taken from old 8mm stag reels, are edited in such a way that makes the act of sex seem impersonal, mechanical, and altogether vile.Year:
1988
Police State
In Nick Zedd's mock docu-drama Police State, he puts his own body on the line to illustrate his belief that “freedom is an illusion.” A black comedy-satire / protest film featuring Rockets Redglare.Year:
1987
The Big Wheel
During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."Year:
1980
Willoughby Sharp Videoviews Vito Acconci
This early document is a videotaped interview ("videoview") of Vito Acconci by Willoughby Sharp during which they discuss Acconci's development as an artist. The intimate conversation addresses such concerns as Acconci's thoughts on the exhibition space, his transition from the page to the performance, and the role of video and photo documentation for performance art in general.Year:
1973