Аватар персоны Yann Minh

Yann Minh

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Total Films

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actor

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director

5 Works

writer

1 Works

other

1 Works

Média 000

Média 000

Média 000" is an oneiric microcosm describing the ultimate apogee of a world mediatized to the extreme. The 11 minute program is the main videotape of an installation made up of two screens, diffusing two distinct tapes, synchronized with two sets of slide projectors, and organized around a cybernetic sculpture representing a lengthened young woman connected to the screens. The witness penetrates an obscure black lighted room, symbolizing a scientific research laboratory.
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Média 000

Média 000

Média 000" is an oneiric microcosm describing the ultimate apogee of a world mediatized to the extreme. The 11 minute program is the main videotape of an installation made up of two screens, diffusing two distinct tapes, synchronized with two sets of slide projectors, and organized around a cybernetic sculpture representing a lengthened young woman connected to the screens. The witness penetrates an obscure black lighted room, symbolizing a scientific research laboratory.
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Year:

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Média 000

Média 000

Média 000" is an oneiric microcosm describing the ultimate apogee of a world mediatized to the extreme. The 11 minute program is the main videotape of an installation made up of two screens, diffusing two distinct tapes, synchronized with two sets of slide projectors, and organized around a cybernetic sculpture representing a lengthened young woman connected to the screens. The witness penetrates an obscure black lighted room, symbolizing a scientific research laboratory.
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Le Rêve du Phenix

Le Rêve du Phenix

"...The budget was 500,000 francs, financed by the Ministry of Culture, the OCTET agency in Populus [...] On this occasion, we created a production company whose name was inspired by the comic book of Jean-Claude Forest, Mystérieuse Matin Midi et Soir." - Minh
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Year:

1988

3'12" avant la fin

3'12" avant la fin

"A very skillfully controlled semi-fiction, expressing itself through special effects and inlays." said Belloir in Cahiers du cinema. A four-screen version exists as well.
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1980