22-03-1929
Birthday
Aries
Zodiac Sign
-
Genres
11
Total Films
Also known as (female)
Nagano, Japan
Place of Birth
22-03-1929
Birthday
Aries
Zodiac Sign
-
Genres
11
Total Films
-
Also Known As (female)
Nagano, Japan
Place of Birth
actor
11 Works
producer
0 Works
director
3 Works
writer
2 Works
other
1 Works
Kusama: Infinity
Now one of the world’s most celebrated artists, Yayoi Kusama broke free of the rigid society in which she was raised, and overcame sexism, racism, and mental illness to bring her artistic vision to the world stage. At 88 she lives in a mental hospital and continues to create art.Year:
2018
The Inexhaustible Creations of Yayoi Kusama
Japanese avant-garde artist Yayoi Kusama is best known for her inexhaustible creations involving polka dots, pumpkins, and vibrant colors. Her love of design has seen her join forces with top fashion houses.Year:
2017
Yayoi Kusama
Yayoi Kusama born March 22, 1929 is a Japanese artist and writer. Throughout her career she has worked in a wide variety of media, including painting, collage, scat sculpture, performance art, and environmental installations, most of which exhibit her thematic interest in psychedelic colors, repetition and pattern. A precursor of the pop art, minimalist and feminist art movements, Kusama influenced contemporaries such as Andy Warhol, Claes Oldenburg and Yoko Ono.Year:
2016
Bad Girls of Japan
Are bad girls casualties of patriarchy, a necessary evil, or visionary pioneers? By tracing the concept of the bad girl in Japan as a product of specific cultural assumptions and historical settings, Bad Girls of Japan maps new roads and old detours in revealing a disorderly politics of gender. The essays explore deviancy in richly diverse media. Mountain witches, murderers, performance artists, cartoonists, schoolgirls, and shoppers gone wild are all part of the terrain.Year:
2015
Polka Dot Superstar: The Amazing World of Yayoi Kusama
This film follows Yayoi Kusama during the preparations for Tate Modern's 2012 retrospective of her work, when she undertook the mammoth physical and mental challenge of creating 100 new works for the largest-ever exhibition of her art.Year:
2014
Song of a Manhattan Suicide Addict
She recites a poem about life, death, heaven and the eternal, standing against projections of her immersive environments and paintings.Year:
2010
Yayoi Kusama: I Love Me
Captures the avant-garde artist Yayoi Kusamas creative process as she diligently works to complete her series of 50 large monochrome drawings. As her work comes to life, one can witness the essence of her art as it wells up in the conflict between life, death, and love.Year:
2008
Tokyo Decadence
A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.Year:
1992
Basara no Hana (Flowers of Extravagance)
In April 1985 Kusama staged a performance in the cherry tree grove at Kuhonbutsu Jōshin-ji, a Buddhist temple in Tokyo. Commissioned by a professor at Tokyo University, the performance was titled Basara no Hana (Flowers of Extravagance) in reference to the extravagance of the fourteenth-century lord Dōyo Sasaki. He was said to have held a lavish celebration of cherry blossoms near Kyoto that lasted twenty days. For the performance, Kusama encircled the flowering trees with red and white streamers, connecting them in a ‘net’.Year:
1985
Flowers
While I was staying in New York in the 1960s during the rise of the hippie movement, I filmed performances of body painting by the artist, Kusama Yayoi, together with the performers. As I wasn't satisfied with merely documenting her performance, made super-impositions of flowers over the performance, more as a film poem than a documentary, since flowers was the symbol of the hippie movement as given the name "flower children."Year:
1969
Kusama's Self-Obliteration
A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. —Jud YalkutYear:
1967
