Аватар персоны Yeşim Ustaoğlu

Yeşim Ustaoğlu

DirectorWriterProducerActorExecutive Producer
After making several award-winning shorts in Turkey, Yesim Ustaoğlu made her feature film debut with 1994's 'The Trace' (İz). The film was presented at numerous international festivals, including Moscow and Gotenburg and won the Best Film Award at Istanbul Film Festival. Yesim Ustaoğlu received international recognition for her 1999 film, 'Journey To The Sun' (Güneşe Yolculuk) which competed in Berlinale and received the Blue Angel Award (Best European Film) and the Peace Prize before sweeping the Istanbul Film Festival by winning Best Film, Best Director, the FIPRESCI Prize and the Audience Award. Launching her own production company Ustaoğlu Film in 2003, her third film, 'Waiting for the Clouds' (Bulutları Beklerken) premiered in 2014 Berlinale Panorama and was awarded NHK Sundance - International Film-maker's Award. Ustaoğlu's fourth feature, 'Pandora's Box' (Pandora'nın Kutusu) premiered in Toronto (TIFF) and won Golden Shell for the Best Film and Silver Shell for the Best Actress Award in San Sebastian FF. Her fifth feature 'Somewhere in Between' (Araf, 2012) premiered in Orrizonti section in 69th Venice FF, won Best Film Award in Abu Dhabi FF and Split Mediterranean FF, as well as Best Performance in Moscow, Tokyo and Pune Film Festivals. Her latest film 'Clair Obscur' (Tereddüt).

18-11-1960

Birthday

Scorpio

Zodiac Sign

-

Genres

4

Total Films

Also known as (female)

Kars, Turkey

Place of Birth

Popular works

Creative career

actor

4 Works

producer

2 Works

director

16 Works

writer

3 Works

other

0 Works

Dream Workers

Dream Workers

Dream Workers is an intimate and daring journey into women's creativity, dreams, and unexpected confrontations by life through the intertwined stories of eight women filmmakers and a village women's theatre group from Turkey. The conditions of urban and cultural gentrification, pandemic, and isolation that initially threaten the film become part of the film. Listening to the creation stories of these women directors, including the director of the documentary, the audience experiences their different ways of living life and making art under the contemporary socio-cultural dynamics of Turkey.
0.0

Year:

2022

Her First

Her First

Two film school graduates intimidated by the gender stereotypes that pervade film industry decide to make a documentary to explore the issue. The two women spend two years shooting, make 5000 kilometers, talk to established women directors and record every moment of this journey of discovery and self-discovery. But the real journey is just about to begin.
7.3

Year:

2019

Only Blockbusters Left Alive: Monopolizing Film Distribution in Turkey

Only Blockbusters Left Alive: Monopolizing Film Distribution in Turkey

Turkish film industry has been experiencing a breakthrough in the last ten years. According to 2015 figures, there is a bold uptrend in terms of viewers and film production. Yet without any regulations at work, this growth only made injustices in distribution bigger. While a single cinema chain controls more then 50% of the market, it also started to control distribution and production. In this monopolized environment, there seems to be no country for independent production. With the guidance of producers, distributors, and economists, the film traces the distortion created by the bad economy that has become an obstacle for freedom of choice.
6.4

Year:

2016

Bir Anı Yakalamak

Bir Anı Yakalamak

The film portrays the bus journey of a young woman played by the director herself. Throughout the journey, the woman's mind goes off to a few imaginary time zones and she starts dreaming about what could happen
0.0

Year:

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