
Yoko Oguchi
DirectorActorProducer
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Birthday
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Zodiac Sign
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Genres
7
Total Films
Also known as (female)
Place of Birth
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Birthday
-
Zodiac Sign
-
Genres
7
Total Films
-
Also Known As (female)
-
Place of Birth

-
Birthday
-
Zodiac Sign
-
Genres
7
Total Films
Also known as (female)
Place of Birth
-
Birthday
-
Zodiac Sign
-
Genres
7
Total Films
-
Also Known As (female)
-
Place of Birth
actor
7 Works
producer
2 Works
director
11 Works
writer
0 Works
other
1 Works

Real Access Discommunication
The films of Oguchi Yoko are extremely personal. In addition, Oguchi herself has a special personality that makes her films very special. She is an outspoken masochist and experiments in life and work with her sexual proclivities. She can get surprised about what people think is normal in the field of love and could find little understanding for her own norms. That's why she made a film about it.Year:
2007

My Prince
Oppressive mixture of diary and (sexual) fantasy. The film maker also literally bares herself when she repeatedly stands in a corridor waiting for the inevitable. She is fascinated by the true story of a sadistic kidnapper, whom she links with her own Prince Charming. Sadomasochism without whips. The master rules with the spirit. Won the grand prix at the Image Forum Festival.Year:
2006

Dear Mrs Ougi Chikage
Kenji Murakami seeks out legendary wildman director Kenji Onishi and arranges a meeting with director Yoko Oguchi. The meeting turns unexpectedly intense...Year:
2006

Madam SOURAN
Indie film by Fujiwara Sho, 2001.Year:
2001

ENDLESS LOVE
The film is divided into two chapters, "First Love" and "Endless Love", in which the author, Yoko Oguchi, chases after a different man, each saying "I love you! and chases after another man. In the second chapter, she screams in public, has sex with a man, shaves her hair and gets (really) yelled at by her parents. Beyond the fictionality and perfection of the drama, the author's daring and daredevil performance have a strong impact on the viewer.Year:
1988

Raigyo: Swan
Year:
1988

Raigyo
A man (Masahiro Sugiyama), an idol otaku, picks up a monster fish and starts to raise it at home. At the same time, he moves in with a runaway girl (Yoko Oguchi), and the friction between them becomes more intense. The film was made at the end of the eighties, in response to the sense of stagnation in the provincial cities. It's a film with a darker side than my previous film "Love on the Street". It also has the strongest theatrical colour of all the films so far, but it shows the bankruptcy in a different way to "Street Corner of Love -".Year:
1988