Ж

Director

Ж is a film-designer, educator and programmer. His films, video-installations and texts have been exhibited in festivals, galleries and museums such as: SFMoma -Cinemateque (Crossroads 2018)- EUA; Pantalla Global CCCB-Barcelona; Museo San Telmo -San Sebastián-Espanha; EAC (Espacio de Arte Contemporaneo)-Uruguay; Microscope Gallery;13 Bienal de Artes Mediales (Temblor)- Chile; Berwick Film & Media Fesitival-Reino Unido; Programa de Exposições CCSP-SP-Brazil(solo); Revista ArtContexto- Brazil; 19 Fest CurtasBH-Brazil; 13 CineOP-Brazil; CantorGallery, Massachusetts - USA; VisArts– Frame & Frequency 3– Rockville- USA; CCEG- Centro Cultural España-Guatemala; La Darsena - Argentina; Sala Nordeste -MinC- Brazil; Museu da Imagem e do Som (MIS)- Brazil; Dobra Festival Internacional do Cinema Experimental- Cinemateca MAM- Rio de Janeiro along others. As an educator he have coordinated (2014-2016) the audiovisual formation program "Fazer o Mundo Fazendo Video" and the educational action SSS_South Small Sister; worked with indigenous - Guarani mbyas- communities (Ventana a la Diversidad) along others. In 2015 co-programmed the film cycle "Image-Thought" in Bcúbico-Recife, on 2016 he programmed a session of Dobra Festival-Cinemateca MAM Rio de Janeiro and the Socio environmental film screening-Gaibú in Brazil. In 2017 he programmed a six months of interventions on the programs of a local cinema of São Paulo (Matilha Cultural). In 2019 he programmed a Homage to Jonas Mekas, in MAM's Cinemateque & CCBB-SP.

Birthday

Zodiac Sign

Genres

Total Films

Zhe, The letter Z

Also known as (female)

Brazil

Place of Birth

Birthday

Zodiac Sign

Genres

Total Films

kk, Zhe, The letter Z

Also Known As (female)

Brazil

Place of Birth

Popular works

Media

‌

Creative career

actor

0 Works

producer

0 Works

director

7 Works

writer

0 Works

other

2 Works

Consider

bombs like fireworks, the artifice of televised war in a soft, black sky, perforations of light in the film’s velvet for any serious reflection the sidereal CONSIDER in memory of the fallen in Gaza, the stars.

0.0

Year:

2024

Viva Jonas!

A tiny part of our homage for the minors master.

0.0

Year:

Rheme Maining Sources

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

6.1

Year:

2021

Rheme Maining Sources

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

6.1

Year:

2021

Rheme Maining Sources

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

6.1

Year:

2021

∆ k ∆ ∑ ∆ r j ∑ n

0.0

Year:

7FF on¢idia

"In ancient China the tiger skin represented 'continuous change'. In the Maya’s world, Bolom Chon’s (jaguar) hide, allowed the constellations to be read: the cosmos’ dance." Ж In 7FF on¢idia Rio de Janeiro FIFA World Cup mascot Fuleco becomes a cipher for the mutation of indigenous people's symbols through public art and commerce, becoming viral. Other fluxes alluded to are the surplus value of code through a world of commodities, bit coins and mountains of data. 7FF on¢idia ushers us into encounters which are fleeting and leave questions unanswered—all the more reason to watch again.

0.0

Year:

2016