Živilė Mičiulytė

The Cabinet

In Lithuania, two investigative journalists work segregated from others in an isolated office as if in a cabinet. This cabinet is the only location in the film. It seems that they are in the cabinet, like they are closed, separated from others, even from the other journalists. It’s a slow and minimalistic film. It’s not a film about one specific journalistic research; this film presents a monotonous and nervous atmosphere in this cabinet. The boundaries between truth and falsehood begin to overlap, journalists experience the betrayal of a colleague, the office becomes sweltering and unpleasant.

The Cabinet

In Lithuania, two investigative journalists work segregated from others in an isolated office as if in a cabinet. This cabinet is the only location in the film. It seems that they are in the cabinet, like they are closed, separated from others, even from the other journalists. It’s a slow and minimalistic film. It’s not a film about one specific journalistic research; this film presents a monotonous and nervous atmosphere in this cabinet. The boundaries between truth and falsehood begin to overlap, journalists experience the betrayal of a colleague, the office becomes sweltering and unpleasant.

The Cabinet

In Lithuania, two investigative journalists work segregated from others in an isolated office as if in a cabinet. This cabinet is the only location in the film. It seems that they are in the cabinet, like they are closed, separated from others, even from the other journalists. It’s a slow and minimalistic film. It’s not a film about one specific journalistic research; this film presents a monotonous and nervous atmosphere in this cabinet. The boundaries between truth and falsehood begin to overlap, journalists experience the betrayal of a colleague, the office becomes sweltering and unpleasant.

The Cabinet

In Lithuania, two investigative journalists work segregated from others in an isolated office as if in a cabinet. This cabinet is the only location in the film. It seems that they are in the cabinet, like they are closed, separated from others, even from the other journalists. It’s a slow and minimalistic film. It’s not a film about one specific journalistic research; this film presents a monotonous and nervous atmosphere in this cabinet. The boundaries between truth and falsehood begin to overlap, journalists experience the betrayal of a colleague, the office becomes sweltering and unpleasant.

Kings' Shift

A rookie policeman is left alone in a private clinic to guard a comatose suspect of World War II crimes. His shift is long over, yet nobody comes to replace him. However, the youngster is determined not to leave his post until he gets permission from his authorities to do so. Lack of sleep, loneliness, hunger and the persistence to serve his duty turn the young man into a ticking time bomb at the very wrong time. He must decide how far he can go guarding this suspect who is hated to death by everyone.

Joan

Joan is 25 years old. She finished actors’ studies in Lithuanian Academy of Music and Theatre and was about to start acting in Russian Drama Theatre. But a war started in Ukraine and she decided to go there. Joan collects and transports materials for the soldiers to the battlefield in Ukraine. Joan tries to keep balance between being one day in war, another in peace. The film is a journey from one world to another and the line between these worlds is not clear. You must reconsider the meaning of “reality”. Everything is mixed up: the war is “there”, but it could be “here” anytime.

Joan

Joan is 25 years old. She finished actors’ studies in Lithuanian Academy of Music and Theatre and was about to start acting in Russian Drama Theatre. But a war started in Ukraine and she decided to go there. Joan collects and transports materials for the soldiers to the battlefield in Ukraine. Joan tries to keep balance between being one day in war, another in peace. The film is a journey from one world to another and the line between these worlds is not clear. You must reconsider the meaning of “reality”. Everything is mixed up: the war is “there”, but it could be “here” anytime.

Joan

Joan is 25 years old. She finished actors’ studies in Lithuanian Academy of Music and Theatre and was about to start acting in Russian Drama Theatre. But a war started in Ukraine and she decided to go there. Joan collects and transports materials for the soldiers to the battlefield in Ukraine. Joan tries to keep balance between being one day in war, another in peace. The film is a journey from one world to another and the line between these worlds is not clear. You must reconsider the meaning of “reality”. Everything is mixed up: the war is “there”, but it could be “here” anytime.

Masha

This is a documentary film about five actresses of different generations who played the same role of Masha in Anton Chekhov's play 'The Seagull'. Masha is a woman who is in love with Konstantin, unrequitedly and for ever. This role left a mark of some sort in all the actresses' lives. The film is about parallels between their lives and the role they played, it is about the enclosed world of loneliness to which one comes and struggles to leave.

Masha

This is a documentary film about five actresses of different generations who played the same role of Masha in Anton Chekhov's play 'The Seagull'. Masha is a woman who is in love with Konstantin, unrequitedly and for ever. This role left a mark of some sort in all the actresses' lives. The film is about parallels between their lives and the role they played, it is about the enclosed world of loneliness to which one comes and struggles to leave.

Masha

This is a documentary film about five actresses of different generations who played the same role of Masha in Anton Chekhov's play 'The Seagull'. Masha is a woman who is in love with Konstantin, unrequitedly and for ever. This role left a mark of some sort in all the actresses' lives. The film is about parallels between their lives and the role they played, it is about the enclosed world of loneliness to which one comes and struggles to leave.