24 Frames per Second

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I first started by taking a black 16mm film leader and holding a magnifying glass above the film. I then used the sunlight to burn each frame in the film leader. At the same time that I was burning the film leader, I was also filming the process of burning each frame. After developing the film, I then physically burned each frame with a soldiering iron in the exact same area that it was burned by the sunlight. The result was that when projected, one would see the filming of the burn at the same time one sees a single frame action of the physical burning of the film, followed by other concepts dealing with 24 frames. 24 frames make one second and this gives the illusion of smoothness. However, because each frame was burned, it gives an animated impression together with the smoothness of 24 frames.

Al Wong

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19-03-1977

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US

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14 min

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Director
Al Wong

Al Wong

I am a native San Franciscan artist and have spent the past 45 years making art in a variety of mediums. Painting has always been a central element in my work because of the direct nature of working with the materials. My career has developed from my early years as a student at the San Francisco Art Institute where I earned my Master of Fine Arts degree, to serving as an Art Professor for over 30 years at several universities and colleges including the San Francisco Art Institute, the California State University system and Mills College. I have shown at exhibition venues such as the New York Museum of Modern Art, the Whitney Museum of American Art, the San Francisco Museum of Modern Art and the UC Berkeley Museum & Pacific Film Archive. My work has toured nationally and internationally including Europe, South America and Japan. In addition, I have received several awards and honors including an NEA Grant in 1983, a Guggenheim Fellowship in 1986, and a Flintridge Foundation Visual Artist Award in 1997.
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