As Above, So Below

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For thousands of years, alchemists toiled to synthesize rare substances and universal cures, to manipulate the speed of natural processes. Today, a woman has her husband’s ashes transformed into a memorial diamond. Precious metals are extracted from obsolete electronics. What was once the world’s largest landfill– now also the final resting place of the World Trade Center’s remains– is being converted into a public park. The film intimately examines various transmutations, both microscopic and massive, that reshape matter and its meanings. What separates the permanent from the impermanent, the things we discard from those we preserve?

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31-03-2012

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US

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50 min

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Director
Sarah J. Christman

Sarah J. Christman

Sarah Christman makes films that explore the intersections between people, technology and the natural world. Her work has screened widely, including Rotterdam International Film Festival, Toronto Film Festival, New York Film Festival, MoMA Documentary Fortnight and the Los Angeles Film Forum. She received the New Visions Award from the San Francisco International Film Festival for her debut film Dear Bill Gates and Jury Awards from the Ann Arbor Film Festival for Broad Channel and As Above, So Below. Christman received her MFA in Film & Media Arts from Temple University and her BA in Art History and Visual Arts from Oberlin College. She teaches in the Film Department of Brooklyn College and the Feirstein Graduate School of Cinema / CUNY.
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