
Sarah J. Christman
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Total Films
Also known as (female)
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Birthday
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Total Films
Sarah Christman
Also Known As (female)
-
Place of Birth

-
Birthday
-
Zodiac Sign
-
Genres
0
Total Films
Also known as (female)
Place of Birth
-
Birthday
-
Zodiac Sign
-
Genres
0
Total Films
Sarah Christman
Also Known As (female)
-
Place of Birth
actor
0 Works
producer
0 Works
director
16 Works
writer
2 Works
other
8 Works

Swarm Season
In the shadow of Hawaii’s Mauna Kea volcano, a young girl, Manu, and her mother lovingly breed a colony of bees. Meanwhile, as Manu’s activist father protests the construction of a giant telescope on the mountain’s sacred ground, a group of scientists study the landscape in preparation for our inevitable relocation to Mars. Ambitiously linking the earthbound and the cosmic, the intimate and the expansive, director Sarah J. Christman tracks these existentially fraught narratives with an acute attention to time, scale, and historical consequence. As her monumental images gather force, Swarm Season takes on a potent allegorical dimension.Year:
2019
7285
Short film composed of material not used in other films.Year:
2015
7285
Short film composed of material not used in other films.Year:
2015
Gowanus Canal
Sarah J. Christman continues her 16mm ecological studies with Gowanus Canal, in which contamination and compression of refuse intimate a stultifying state for one of the most polluted bodies of water in the United States.Year:
2013

As Above, So Below
For thousands of years, alchemists toiled to synthesize rare substances and universal cures, to manipulate the speed of natural processes. Today, a woman has her husband’s ashes transformed into a memorial diamond. Precious metals are extracted from obsolete electronics. What was once the world’s largest landfill– now also the final resting place of the World Trade Center’s remains– is being converted into a public park. The film intimately examines various transmutations, both microscopic and massive, that reshape matter and its meanings. What separates the permanent from the impermanent, the things we discard from those we preserve?Year:
2012

As Above, So Below
For thousands of years, alchemists toiled to synthesize rare substances and universal cures, to manipulate the speed of natural processes. Today, a woman has her husband’s ashes transformed into a memorial diamond. Precious metals are extracted from obsolete electronics. What was once the world’s largest landfill– now also the final resting place of the World Trade Center’s remains– is being converted into a public park. The film intimately examines various transmutations, both microscopic and massive, that reshape matter and its meanings. What separates the permanent from the impermanent, the things we discard from those we preserve?Year:
2012

As Above, So Below
For thousands of years, alchemists toiled to synthesize rare substances and universal cures, to manipulate the speed of natural processes. Today, a woman has her husband’s ashes transformed into a memorial diamond. Precious metals are extracted from obsolete electronics. What was once the world’s largest landfill– now also the final resting place of the World Trade Center’s remains– is being converted into a public park. The film intimately examines various transmutations, both microscopic and massive, that reshape matter and its meanings. What separates the permanent from the impermanent, the things we discard from those we preserve?Year:
2012

As Above, So Below
For thousands of years, alchemists toiled to synthesize rare substances and universal cures, to manipulate the speed of natural processes. Today, a woman has her husband’s ashes transformed into a memorial diamond. Precious metals are extracted from obsolete electronics. What was once the world’s largest landfill– now also the final resting place of the World Trade Center’s remains– is being converted into a public park. The film intimately examines various transmutations, both microscopic and massive, that reshape matter and its meanings. What separates the permanent from the impermanent, the things we discard from those we preserve?Year:
2012
Broad Channel
Over the course of four seasons, the nuances of everyday activity are examined along one narrow stretch of public shoreline in New York City’s Jamaica Bay. Moments of recurrence and change cycle through an ecosystem rooted in migration.Year:
2011
Broad Channel
Over the course of four seasons, the nuances of everyday activity are examined along one narrow stretch of public shoreline in New York City’s Jamaica Bay. Moments of recurrence and change cycle through an ecosystem rooted in migration.Year:
2011
Broad Channel
Over the course of four seasons, the nuances of everyday activity are examined along one narrow stretch of public shoreline in New York City’s Jamaica Bay. Moments of recurrence and change cycle through an ecosystem rooted in migration.Year:
2011
Broad Channel
Over the course of four seasons, the nuances of everyday activity are examined along one narrow stretch of public shoreline in New York City’s Jamaica Bay. Moments of recurrence and change cycle through an ecosystem rooted in migration.Year:
2011

Dear Bill Gates
A simple correspondence evolves into a poetic visual essay exploring the ownership of our visual history and culture. Combining original and archival film, video and images from the internet, Dear Bill Gates draws unexpected connections among mining, memory and Microsoft. Original music by Adam Granduciel.Year:
2006

Dear Bill Gates
A simple correspondence evolves into a poetic visual essay exploring the ownership of our visual history and culture. Combining original and archival film, video and images from the internet, Dear Bill Gates draws unexpected connections among mining, memory and Microsoft. Original music by Adam Granduciel.Year:
2006

Dear Bill Gates
A simple correspondence evolves into a poetic visual essay exploring the ownership of our visual history and culture. Combining original and archival film, video and images from the internet, Dear Bill Gates draws unexpected connections among mining, memory and Microsoft. Original music by Adam Granduciel.Year:
2006

Dear Bill Gates
A simple correspondence evolves into a poetic visual essay exploring the ownership of our visual history and culture. Combining original and archival film, video and images from the internet, Dear Bill Gates draws unexpected connections among mining, memory and Microsoft. Original music by Adam Granduciel.Year:
2006