Chronogram of Inexistent Time

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Chronogram is a photomontage that explores stillness, motion, and memory. Using a 35mm still camera, multiple exposures were composed and edited in-camera, creating frameless sequences of images printed on 35mm filmstrips. When projected, these images become a non-linear, non-synchronized collage. The ephemeral quality of the images—their transparency, layering, and repetition—invites us to reflect on the role memory plays in perception, the ways we mentally reconfigure fragments to construct stability and meaning in an environment of perpetual flux.

Malena Szlam

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01-01-2008

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ESCA

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6 min

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Director
Malena Szlam

Malena Szlam

Malena Szlam is an artist-filmmaker working at the intersection of cinema, installation, and performance. Her practice explores the relationship between the natural world, perception, and intuitive process. Her work has been exhibited in numerous festivals and museums, including the Toronto International Film Festival, International Film Festival Rotterdam, Viennale, Hong Kong Film Festival, New York Film Festival, Museum of Fine Arts Boston, Buenos Aires Museum of Modern Art, the Bienal de la imagen en movimiento. Szlam is the recipient of the Liaison of Independent Filmmakers of Toronto’s (LIFT) Roberto Ariganello Artist Residency Award (2018). Past collaborations include Jerusalem In My Heart (2011-2013), a live audio-visual performance project with Montreal-based musician Radwan Ghazi Moumneh that toured Europe, Canada, and Lebanon; and Breaking the Frame (2012), Marielle Nitoslawska’s feature-length profile of Carolee Schneemann, pioneer of feminist performance art and avant-garde cinema. She is a member of Double Negative, an artist collective dedicated to the production and exhibition of experimental cinema.
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