Hades

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This German political drama from iconoclastic filmmaker Herbert Achternbusch takes a slightly askew look at neo-Nazis and the Holocaust. His non-story (a typical trait of Achternbusch films) is divided into three parts. The first introduces Hades, an eccentric half-Jewish coffin maker. Also introduced are the women in his life. The second part depicts different scenes from the city's Jewish ghetto. Included are disturbing film clips from Nazi propaganda footage that shows the naked corpses of starved Jews piled up in the streets with the insinuation that the heartless relatives of the dead would unceremoniously toss them out when they expired. In the third part, Hades is buried at sea. In between, neo-Nazis march unopposed in Munich, Hades battles skinheads, and Hades' shop is repeatedly vandalized. A scene where Hades is fascinated with death is also seen.

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01-04-1995

Release Date

DE

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86 min

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German

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Director
Herbert Achternbusch

Herbert Achternbusch

Writer, actor, and German filmmaker born in Munich in 1938. He spent his childhood and youth in Bavaria, region which remains until today its major source of artistic inspiration. Their activity is very diverse: he has composed pieces for theater and radio scripts, translator, painter and sculptor. As different as his artistic activities is his work, and therefore difficult to classify. In the world of cinema, his career fits approaches independent, mostly defined by a position too personalistic, provocative, that has left a deep imprint on works eminently conceptual and avant-garde, as well as suggesting in criticism of the subjects addressed (religion, society, geographical framework in which wandering people, etc.). His films just transcend the commercial sector; It is one of the most followed by seekers of original, stories of passes in areas interested in film culture. His anarchist surrealistic films are not known to a wide audience in Germany, although one of them, Das Gespenst (The Ghost), caused a scandal in 1983 because of its alleged blasphemous content. Werner Herzog, a director of the New German Cinema, based his film Heart of Glass on a story by Achternbusch.
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