Hole in the Moon

5.7

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A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas’ “Hallelujah the hills” (1962), it’s an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics – parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.

$0

Budget

$0

Revenue

01-01-1964

Release Date

IL

Country

5.7

Rating

9

Votes

-

Age Rating

75 min

Runtime

Released

Status

Hebrew

Language

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Director
Uri Zohar

Uri Zohar

Uri Zohar was a prominent Israeli film director, actor, and comedian who later became an Orthodox rabbi. Born in Tel Aviv, he began his career in the entertainment industry in the 1950s, gaining fame for his work in Israeli cinema and television. Zohar directed and starred in several influential films, including Hole in the Moon (1964), Three Days and a Child (1967), and Big Eyes (1974). His films often explored social issues and the complexities of Israeli society. In the late 1970s, Zohar experienced a significant personal transformation, embracing Orthodox Judaism and leaving the entertainment industry to become a rabbi. He dedicated the latter part of his life to religious study and community work, becoming a prominent figure in the Orthodox Jewish community. Zohar passed away in Jerusalem at the age of 86.
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