Humaniora

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'Humaniora is about that least popular kind of enforced rest: treatment and convalescence. It's a vision of hospitals, not as sites of trauma, but as a kind of pregnant pause in the headlong rush. Sunlight reflects off a tower, a pigeon roosts on a rooftop, and that precise moment of transition from night to day is captured when an illuminated sign suddenly switches off. Airy, Victorian glasshouses contrast with shadowy concrete alleyways as Nashashibi portrays different attitudes to sickness in different eras.' Rosalind Nashashibi's films span many boundaries, from Nazareth in Israel to the America Mid West. She has said of her work: 'The films observe what I suppose people would call 'real life', but I think they're about vacation away from life, about inactivity or rest, whether it be chosen or forced. I go into public areas with my camera and really observe how people are moving in their spaces, how they are using their neighbourhood.' - Moira Jeffrey in the Herald:

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01-01-2003

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GB

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12 min

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Director
Rosalind Nashashibi

Rosalind Nashashibi

British Palestinian artist Rosalind Nashashibi is a painter and filmmaker. She is preoccupied with looking, in a way that almost crosses over into the subject's camp, passing onto the side of the observed in a way that can be disconcerting. Her films chronicle intimate moments of contemporary life across diverse circumstances with a deeply empathetic and personal approach. Nashashibi's work is marked with precise references to other filmmakers and painters- such as Hockney and Degas and the filmmakers Pasolini and Chantal Akerman. Her films are often non-linear, punctuated by manifestations of power dynamics and collective histories. Subjects have included non-nuclear family structures, the multiple personae of the artist and chronicling Palestinian life. In her painting, sentimental or overbearing motifs such as a pair of swans or a X, intrigue us into looking at them anew, and her references to historical paintings are dives into the past to bring back new experiences. - GrimmGallery
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