Jasper Johns: Decoy

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Jasper Johns’s Decoy is rooted inside the notions of reproduction, transformation and memory. Believing that an image gains new meaning each time it is presented, Johns boldly confronts his own past work, most notably Ale Cans (1964), and uses Decoy as a method of metamorphosis. The repetition of certain motifs allows both Johns and his spectators to confront the change an image goes through when approached from a different angle or placed in a new artistic context. As noted in the film, “each time a motif is used and reused additional memories accrue, new layers of meaning, and the image itself begins to acquire its own history.” (Jasper Johns) It is through Johns’s reimagining that the items he features in his work take on new life and grow from object to art, thus redirecting society’s interpretation.

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01-01-1973

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US

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18 min

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Director
Michael Blackwood

Michael Blackwood

Michael Blackwood Productions is an independent production company that has produced over 150 documentaries on the arts and its contributors, with a focus on architecture and architects, art and artists, dance and choreographers, and music and composers. The collection features over 1,000 participants or subjects, and spans over six decades of documentation, beginning in the 1960s and including earlier material, through the second decade of the 21st Century. The films serve as primary documents for educational and archival purposes, as well as informative and special interest pieces for the general public. A growing number of educational institutions, libraries, museums and various media outlets are acquiring the films around the world. The company is dedicated to preserving the underlying material, and digitizing its analogue portfolio. The collection itself is one of the largest and most significant of its kind.
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