La Bicicleta

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As a funeral procession advances through a dusty town in the Paraguana peninsula, a young man rides his bicycle through the crowd. A beautiful woman stands apart from the crowd and gazes in wonder as the young man rides away. A child, the town's fool and the woman go after the Bicycle, each character with his own motivation. Enraged with indignation, the men also follow the cyclist through the town and onto the desert seeking to kill him.

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Budget

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Revenue

01-03-1975

Release Date

VE

Country

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Rating

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Age Rating

20 min

Runtime

Released

Status

Spanish

Language

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Director
Oscar Molinari

Oscar Molinari

Oscar Molinari Herrera (b. Rome, March 8th, 1941, d. Caracas, September 25th, 2017) was an Italian-Venezuelan filmmaker, photographer, artist and writer. Oscar Molinari was part of a generation of young filmmakers who the early 1970's maintained an avant-garde position in the cultural scene in Venezuela. In 1972 he writes and directs the short Ojo de agua (The Fountainhead) with which he receives the award to the Best Short Film at the Cadiz Film Festival (Spain, 1972), the award for Best Short Film at the New York Film Festival (USA, 1972) and a special mention at the Film Festival of Caracas (Venezuela, 1972). In 1973, after his return from Spain, where he established a life-long friendship with Salvador Dalí, he creates the Independent Film Workshop in Caracas alongside Diego Rísquez, Carlos Azpúrua, Carlos Oteyza and Julio Neri. Molinari was one of the founders and organizers of the New Venezuelan Film Festival (Festival de Cine Nuevo Venezolano). In 1974 he travels to Los Angeles, invited by close friend and actor George Hamilton, and enters the University of Southern California where he studies actor direction under Lee Strasberg and animation and editing with Alejandro Jodorowsky. Upon the completion of his studies, he returns briefly to Venezuela to direct his second short film La Bicicleta (The Bicycle). By the late 1970's, Molinari establishes himself in Mexico City and begins collaborating with Alejandro Jodorowsky by creating fotonovelas (photo novels) where Jodorowsky would write the text and Molinari would photograph the narrative. These fotonovelas were included in the popular Mexican magazine Sucesos where Jodorowsky was Chief Editor.
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