Les heures

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On the one hand: A frame - and then windows in the frame - Spiked - from one to the other - Images designated - fenced, inside / out. Every moment broken - repeated. Always past. One after the other. Cruelty of the open boundary itself - and immediately some untimely object comes up against it - clog the sight - obliterate the frame. On the other hand: The note pursues an eternal moment. It's his game, run the frame, draw the embrasure, and so on. (...) she passes. Immediately in it she plays with nothing. Immediately outside she finds.

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13-11-1990

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FR

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6 min

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Director
Martine Rousset

Martine Rousset

Born on May 29, 1951 in Montpellier, Martine Rousset resided in Sète, France until 1975. She studied Philosophy of Cinema at the Université Paul Valery of Montpellier. As a director, she focuses on light and script. She has worked in cinema since 1977, and has been working as an expert beside Suzanne Pagé since 1978 in the audiovisual department of the Musée d’Art Moderne de la ville de Paris. She has attended various festivals such as Festival of Berlin (1980), MNAM, Paris (1989), Berkeley (1990), MoMA, New York (1995), Feminale, Cologne (1992/1994/1996), Osnabrück (1996), IMPACT (1996), Oberhausen (1998), Scratch (1998/2001/2003), Riga (2002), Pesaro (2003), Los Angeles Film Forum (2004), Festival des cinémas differents, Paris (2005), La Enana Marrón, Madrid (2005), Rencontre des labos de Bruxelles (2005), 10 ans de l'Abominable (2006), Taiwan Women in the Arts (2007), Les Inattendus, Lyon (2007), Belgrade Alternative Film Festival (2008), Les Écrans Documentaires (2008).
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