Life is a Moment

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In 2035, 6262 accidentally broke into the time tunnel and returned to the world 50 years ago. When he was awake, he saw Fang Zhongxin's knowledge in 1987. In order to avoid the doubt of the party, she said that her name was Lu Yi and she stayed home temporarily. In the future world, Lu Yi, who has always been in disgust with her husband, was fond of him by the emotional sentiments of Fang Zhongxin. At the same time, in 1987, when Lu Yi’s mother was orphaned, Lu Yi was required to resolve the friendship with CITIC, and to take care of his young mother, but also to find a way to return to his own time and space. Lu Yi told her life experience that Fang agreed to find a scientist for her to help her go back.

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Budget

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Revenue

03-04-1987

Release Date

HK

Country

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Rating

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Votes

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Age Rating

87 min

Runtime

Released

Status

Cantonese

Language

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Director
Teresa Woo San

Teresa Woo San

Teresa Woo San founded the production company Molesworth in the mid-1980s, herself serving as producer, writer and director in its projects. The company was responsible for eight films and it was widely believed that Sally Aw, credited in many Molesworth’s products as presenter, is head of the Sing Tao News Organization. Woo directed five of Molesworth’s eight films, including her debut, the yuppie romantic drama Missed Date (1986), starring Chow Yun-fat and Olivia Cheng, which she also wrote. In the same year she directed her first film, Woo also produced the drama Lost Romance (1986), directed by Yonfan and starring Chow Yunfat and Maggie Cheung, and director Shu Kei’s sophomore effort Soul (1986) and Jamie Luk’s My Will, I Will (1986). The latter two were among the three Molesworth films not directed by Woo, the third one being Guests in the House (1988), also directed by Luk. Woo’s own sophomore project was Life is a Moment (1987), a time-travel romance. Between 1987 and 1989, Woo produced, wrote and directed the Molesworth action film Angel (1987) and its two sequels. The first chapter of the series features the Japanese actors Saijo Hideki and Oshima Yukari, teamed with Hong Kong actors Alex Fong and Moon Lee, capturing much attention and spawning two sequels. All three films feature executive directors who helped with action choreography, such as Raymonf Leung and Ivan Lai in the first installment and Stanley Tong in the second and third chapters. After writing and producing the American film College Kickboxers (1992), directed by the Hollywood veteran Eric Sherman, Woo withdrew from the film industry.
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