Mehboob Ki Mehndi

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Yusuf lives a wealthy lifestyle with his businessman dad, Safdarjang, who is confined to a wheel-chair. When Yusuf's precocious nephew, Khalid alias Phirangi's tutor, Mrs. Albert complains about him and quits, Yusuf hires Shabana, who along with her granny, have come to live with them for a short period of time. He also hires a man named Khairudin as a servant to look after his dad. Yusuf and Shabana are attracted to each other and intend to marry, much to the joy of Safdarjang and the granny. The wedding preparations are on, but there are a couple things Yusuf and his family do not know. One is that Shabana is the daughter of a Courtesan named Najma; and that Khairudin has secured employment in order to kill Yusuf.

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Budget

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Revenue

30-01-1971

Release Date

IN

Country

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Rating

1

Votes

-

Age Rating

151 min

Runtime

Released

Status

Hindi

Language

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Director
Harnam Singh Rawail

Harnam Singh Rawail

Harnam Singh Rawail (b. 1921) Hindi-Urdu director born in Lyallpur (now Pakistan). Went to Bombay in his teens to join films. Slept on the streets and in the Madhav Baug temple precincts. These experiences were later retold in quasi-autobiographical Pocketmaar. Left for Calcutta where he became assistant to Kidar Sharma. His first script is Banke Sipahi (1937), a version of The Three Musketeers. Wrote several scripts, usually in stunt genre, at Indrapuri Studios where he also received his first break as director. Turned producer in Calcutta (1948), then returned to Bombay (1949) and later established Roshni Pics (1955) and Rahul Theatres (1960). Made comedies (best known is Kishore Kumar’s slapstick Shararat) and love stories. Sangharsh was based on major Bengali novelist Mahashweta Devi’s Laila Aasmaner Aaina. After Mere Mehboob, made period romances and love legends. Last film Deedar-e-Yaar, written by his son Rahul Rawail, was one of the biggest financial disasters of 80s Hindi film. Since then has produced films for his son.
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