Mere Mehboob

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5.5

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While studying in Aligarh Muslim University, Anwar Hussain Anwar falls in love with a veiled woman and is unable to get her out of his mind. En route to Lucknow, they meet with Nawab Buland Akhtar Changezi, and subsequently meet with him a few days later so that he can use his influence to secure an editor's job for Anwar with a magazine. Nawab then asks Anwar to teach his sister, Husna, some poetry, to which he agrees, and eventually finds that she is the very same veiled woman. Both fall in love with each other and the Nawab approves of this alliance, even though Anwar lives a poor lifestyle. The formal engagement ceremony takes place and arrangements are made for the wedding to take place soon. The heavily indebted Nawab does not realize that soon he will find Anwar in the company of a lowly courtesan, Najma; and pressure will be brought on him to get Husna to marry wealthy Munne Raja - who is all set to auction the former's mansion as well as belongings.

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Writers

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Budget

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Revenue

02-01-1963

Release Date

IN

Country

5.5

Rating

2

Votes

-

Age Rating

170 min

Runtime

Released

Status

Urdu, Hindi, English

Language

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Director
Harnam Singh Rawail

Harnam Singh Rawail

Harnam Singh Rawail (b. 1921) Hindi-Urdu director born in Lyallpur (now Pakistan). Went to Bombay in his teens to join films. Slept on the streets and in the Madhav Baug temple precincts. These experiences were later retold in quasi-autobiographical Pocketmaar. Left for Calcutta where he became assistant to Kidar Sharma. His first script is Banke Sipahi (1937), a version of The Three Musketeers. Wrote several scripts, usually in stunt genre, at Indrapuri Studios where he also received his first break as director. Turned producer in Calcutta (1948), then returned to Bombay (1949) and later established Roshni Pics (1955) and Rahul Theatres (1960). Made comedies (best known is Kishore Kumar’s slapstick Shararat) and love stories. Sangharsh was based on major Bengali novelist Mahashweta Devi’s Laila Aasmaner Aaina. After Mere Mehboob, made period romances and love legends. Last film Deedar-e-Yaar, written by his son Rahul Rawail, was one of the biggest financial disasters of 80s Hindi film. Since then has produced films for his son.
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