Spin by David Shrigley

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Shrigley puts his personal spin on news stories and big events every day for a week by creating seven pieces of thought-provoking and entertaining artwork which offer an alternative, very personal interpretation on a topical news story. In the week-long public art project he expresses his idiosyncratic, wry humour in a variety of surprising media. Among his creations, there's been a cartoon on a building banner for Manchester about bullying, saying: "The bully has a brain the size of a pea"; a horde of people with sandwich boards about Tony Blair's current political issues which gathered outside the Guildhall in London, where the Prime Minister was making a speech; a giant mobile billboard parked at the Tory hustings in Leicester with the rallying cry "Legalise pottery"; and a giant wearing the slogan "Binge drinking is our heritage" visited bars in Nottingham.

Peter Hall

Director

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Writers

Lucy Hooper

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Revenue

23-11-2005

Release Date

US

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Age Rating

50 min

Runtime

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Director
Peter Hall

Peter Hall

Sir Peter Reginald Frederick Hall CBE (22 November 1930 – 11 September 2017) was an English theatre, opera and film director. His obituary in The Times declared him "the most important figure in British theatre for half a century" and on his death, a Royal National Theatre statement declared that Hall's "influence on the artistic life of Britain in the 20th century was unparalleled". In 2018, the Laurence Olivier Awards, recognising achievements in London theatre, changed the award for Best Director to the Sir Peter Hall Award for Best Director. In 1955, Hall introduced London audiences to the work of Samuel Beckett with the UK premiere of Waiting for Godot. Hall founded the Royal Shakespeare Company (1960–68) and went on to build an international reputation in theatre, opera, film and television. He was director of the National Theatre (1973–88) and artistic director of Glyndebourne Festival Opera (1984–1990). He formed the Peter Hall Company (1998–2011) and became founding director of the Rose Theatre Kingston in 2003. Throughout his career, he was a tenacious champion of public funding for the arts.
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