The Yellow Ticket

5.2

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Jacob, a farmer, returns from the war to his wife Marie and begs the landlord baron for a plot of land to rent. The Baron grants the request, but only for a barren, rocky, useless acreage. The pair struggle to make do on this land, but then the Baron demands that Maria leave her husband to serve as wet nurse to his married daughter Anya's new baby, on threat of eviction. While nursing the daughter's baby, Maria receives unwelcome attentions from the daughter's husband, and a scandal erupts, ruining Maria in her husband's eyes. When she escapes from her employers and seeks to return home, the police give her the yellow passport signifying a prostitute, further degrading her. She approaches home, unsure of the reception that awaits her.

Fyodor Otsep

Director

No information

Producers

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Budget

$0

Revenue

07-02-1928

Release Date

SU

Country

5.2

Rating

8

Votes

-

Age Rating

80 min

Runtime

Released

Status

Russian

Language

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Director
Fyodor Otsep

Fyodor Otsep

Fyodor Otsep, also known as Fedor Ozep, was a Russian-American film director and screenwriter. He began his career as a writer on film theory and served as a dramaturge for the Mezhrabpomfilm-Rus company. Otsep wrote for directors like V.I. Pudovkin and Yakov Protazanov before transitioning to directing in 1926. His notable works include The Living Corpse (1929), based on Leo Tolstoy's play, and Amok (1934). Otsep's films are recognized for their narrative depth and stylistic innovation.
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