We'll Always Have Paris

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In "We'll always have Paris," the Eifel Tower, Champs-Élysées, magnificent fountains, and trimmed hedges stand as faux French in the hazy rain of Tianducheng. The residential complex located in the suburbs of the Chinese megapolis Hangzhou is one of the countless, largely unpopulated pop-up sites that sprung up overnight through high-speed real-estate speculation. In Raidel’s film, the Eifel Tower is the anti-gravity center of a phantom zone furnished with stark high-rises, parking areas, and gardens—an urban proposition that amounts to nothing.

Ella Raidel

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18-10-2021

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USAT

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4 min

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Director
Ella Raidel

Ella Raidel

Ella Raidel is a filmmaker, artist and researcher. In her interdisciplinary works – films, videos, research and discourses – she focuses on the socio-cultural aspects of globalization, urbanization and the representation of images. Her hybrid practice is to create a discursive space for filmmaking, art and research. In recent years, she has been concerned with China’s unprecedented growth and rapid urban changes, in experimenting with new documentary modes, narrations and methods. Raidel’s works has participated in international biennials, exhibitions, conferences, and presented at numerous International film festivals, among those International Film Festival Rotterdam, CPH:DOX Copenhagen International Documentary Film Festival, DOK Leipzig, Hot Docs Canada, and Chicago International Film Festival. She is an Assistant Professor at NTU Singapore.
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