12-03-1925
Birthday
Pisces
Zodiac Sign
-
Genres
4
Total Films
George Delerue, Georges Delrue
Also known as (male)
Roubaix, Nord, France
Place of Birth
12-03-1925
Birthday
Pisces
Zodiac Sign
-
Genres
4
Total Films
Georges DeLerue, George Delerue, Georges Delrue
Also Known As (male)
Roubaix, Nord, France
Place of Birth
actor
4 Works
producer
0 Works
director
237 Works
writer
5 Works
other
232 Works
In The Tracks Of - Special Edition
This documentary brings the audience into the creative process of film scores by featuring the interviews of some of the world’s most renowned film composers, including Maurice Jarre (Lawrence of Arabia), Bruno Coulais (The Chorus), Georges Delerue (Jules and Jim) and Alexandre Desplat (The Shape of Water). With the participation of collaborative personalities, the film revives the memories of these composers, explores their careers and individual works, and probes into their creative universe.Year:
2020
Music for the Movies: Georges Delerue
Documentary covering the career of French composer Georges Delerue, famous for film scores for such films as Platoon, Contempt, Shoot the Piano Player, and Jules and Jim.Year:
1995
Two English Girls
At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman, befriends Ann, an Englishwoman. While spending time in England with Ann’s family, Claude falls in love with her sister Muriel, but both families lay down a year-long separation without contact before they may marry.Year:
1971
Don’t Shoot the Composer
DON’T SHOOT THE COMPOSER is far from an ordinary profile of Georges Delerue. It also serves as a calling card for Ken Russell, whose work would define the 1970s as Delerue’s did in the 1960s. It begins with a sly work of pastiche, parodying the conventions of French noir. It goes onto encompass slapstick, verité scenes of the Delerue family and a harrowing montage of the Vietnam War. This eclectic approach gives us a sense of the different facets of Delerue’s life- his love of cinema, his home life, his work ethic. It also prefigures Russell’s feature length biopics of Mahler and Liszt, though in a more modest- and lucid- fashion.Year:
1966
