Sivachandran

Kattumarakaran

Muthazhagu is a fisherman who rescues Vaidehi. Vaidehi reveals nothing about her background except that she has attempted suicide. She falls in love with Muthazhagu. Meanwhile, the sister of Muthazhagu's boss, falls for him too. Vaidehi is now whisked away by her powerful rich father to get her married to the groom of his choice.

Anand

Anand, a popular singer, relentlessly pursues a girl called Latha. When he manages to win her heart they decide to get married but misunderstandings creep in, leading them to split.

Kadamai Kanniyam Kattupaadu

Balaraman, an honest policeman manages to capture an international criminal, Michael Raj. However, Radha, a simple lady believes Balaraman killed her brother Raghu.

Oru Iniya Udhayam

Sakthivel (Vijayakanth), a village-based ruffian, is recruited by Sekar for a mission and is taught martial arts. Meanwhile, Shakthi falls in love with Anju (Amala), but realises that his mission is linked to her.

December Pookal

Annam, a journalist, loves Chandru, an ace painter who recently lost his wife Uma in an accident. Vinodh, a police officer, investigates murders and discovers that Annam is next on the hit list.

Naam Iruvar

Naam Iruvar is a 1985 Indian Tamil film, directed by R. Krishnamoorthy and produced by A. V. M. Kumaran.

Oh Maane Maane

The love affair between an Anglo-Indian girl and a Brahmin boy turns sour when the girl becomes pregnant and her mother decides to isolate her from her family till she delivers the baby.

Anbae Odi Vaa

Prema transfers to a college in the same town as college student Mahesh. She is rich, beautiful and harbors a deep sense of entitlement. Mahesh is reserved and primarily focused on his education as well as excelling in running track. He politely ignores Prema the few times they meet which enrages her. She makes it a point to reach out to him and fosters a friendship. Mahesh soon falls in love with Prema and she becomes the focus of life. Prema plays along in an attempt to get revenge.

Natchathiram

A movie buff befriends a popular actress as he believes that she is leading a happy life. However, one day he sees an unknown man making an attempt on her life.

Pournami Alaigal

Legal Family Drama starring Sivakumar, Major Sundarrajan & Ambika

Vellai Roja

Vellai Roja is a 1983 Indian Tamil film, directed by A. Jagannathan and produced by V. Viswanathan. The film stars Sivaji Ganesan, Ambika, Prabhu and Radha in lead roles. The film had musical score by Ilayaraja. The film was a remake of Malayalam film Post Mortem.

Simla Special

Two friends, Gopu and Babu, own a troupe that performs comedic plays. When Babu faces a financial crisis, the two friends decide to accept a commission and perform for the Tamilians in Shimla.

Anandha Ragam

Anandharaagam is a 1982 Indian Tamil film, directed by Bharani, starring Sivakumar and Radha in lead roles. The film had musical score by Ilayaraja and was released on 1982

Polladhavan

While travelling to a new job location, Sita is attacked, and saved by a man who kills the offender. Later, she realises that her boss is the killer from the past and is warned against reporting him.

Vandichakkaram

A local gangster named Gaja falls in love with a woman named Vadivu and she tells him to mend his ways, which he does. However, he now has to deal with his former associates once and for all.

Rosapoo Ravikkaikari

Rosapoo Ravikaikari (1979) was Sivakumar’s 100th film. He debuted in Tamil with A. C. Tirulokchandar’s Kaakum Karangal (1965). His career saw him play the role of God many times in mythological and historical films; he has played Mahavishnu, Muruga, Sage Narada and also Rajendra Chola., and acted in 200 movies, with many of them

Aval Appadithan

Manju, a modern woman who works for a male chauvinist boss, helps Arun to film a documentary on the lifestyle of women from different backgrounds. As their work progresses, he falls in love with her.

Pattina Pravesam

The trials and tribulations of a family from a village that loses everything, in its attempt to make a living in the vast city, including its treasured self-esteem only to return empty-handed.