Аватар персоны Vladimir Dmitriev

Vladimir Dmitriev

Actor
No biography

18-01-1940

Birthday

Capricorn

Zodiac Sign

-

Genres

4

Total Films

Also known as (male)

Moscow, RSFSR, USSR

Place of Birth

Popular works









Creative career

actor

4 Works

producer

0 Works

director

1 Works

writer

1 Works

other

0 Works

Avariya - Cop's Daughter

Avariya - Cop's Daughter

A teenage girl nicknamed Avariya - "Crash" - is a rebel child that just can't get along with her family members that try to persuade her to behave normally - that is as other people do. But when Avariya gets gang-raped, his father (who is a cop) breaks all the rules and goes out for revenge.
5.7

Year:

1989

Down with Commerce on the Love Front, or Reciprocal Services

Down with Commerce on the Love Front, or Reciprocal Services

Comedy based on the story of M. Zoshchenko "Do Not Speculate." The story of how the wife "sold" her own husband.
5.0

Year:

1988

Change of Fortune

Change of Fortune

A lawyer defends a wealthy woman accused of murder. She claims it was self-defense. The lawyer is not sure.
3.9

Year:

1987

Mournful Unconcern

Mournful Unconcern

The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic.
4.6

Year:

1987