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A swan song for the factory age. Every autumn, a South America-bound colony of Vaux’s Swifts numbering in the tens of thousands enjoy a layover in a Portland, Oregon elementary school chimney. Sunset brings a vortex of swirling shapes, whose each tiny piece combines to form a hypnotic, ever-changing pattern; an equinoctial rhythm beats in every swoop of the organic overhead spiral. The defunct industrial chimney is our own demise, and yet the relentless, fluid choreography of the tiny migrants signals a new start, the turning wheel.

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01-01-2014

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US

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6 min

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Director
Vanessa Renwick

Vanessa Renwick

Vanessa Olivia Renwick is a non-binary artist of Scottish and German descent, born on the traditional and unceded territory of the Illiniwek in what is now known as Chicago, Illinois. They live and work as an uninvited guest on the traditional territory of the Chinookan peoples, now known as Portland, Oregon. Often focusing their lens on nature, freedom and the locales of their adopted home, the Pacific Northwest, Renwick uses avant-garde formal elements to explore radical politics and environmental issues. An artist who often self-distributes, their screening history reads as a map of independent cinema worldwide. They have screened work in hundreds of venues internationally, institutional and not, including The Museum of Modern Art, Light Industry, The Wexner Center for the Arts, Art Basel, Oberhausen, The Museum of Jurassic Technology, Centre Pompidou, Bread and Puppet Theater and True/False Film Festival, among many others.
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